by B.J. Lee ; illustrated by David Opie ‧ RELEASE DATE: Feb. 15, 2019
May be of some interest for its cast, if not its cleverness or language.
A version of the popular cumulative rhyme with swamp, ocean, and bayou creatures on the menu.
As Lee opens with a weak partial rhyme—“I don’t know why he swallowed the moth. / It made him cough”—and closes clumsily with “one final cough” that “carried everything off” (i.e., in a big upchuck), this doesn’t measure up to the plethora of tighter, sillier, more colorful variations on the old ditty. Still, as the increasingly walleyed gator’s subsequent victims include a crab, an eel, a ray, a pelican, a panther, a manatee (“He lost his sanity to swallow a manatee!”), and a shark before he guzzles an entire lagoon, there’s at least a regional bent to the cast. Also, the jaunty cadences lend themselves equally well to being read or sung, and Opie’s occasional cutaway views of a swelling reptilian belly and its scowling inhabitants add comical suspense to his green-dominated wetland scenes. As the gator survives the experience, this can be added to the versions by Lucille Colandro (14 so far and counting) and others that gloss over or revise the archetype’s mortal consequences. All the critters the gator gobbles survive too, swimming or flying away in bedraggled dismay.
May be of some interest for its cast, if not its cleverness or language. (Picture book. 4-6)Pub Date: Feb. 15, 2019
ISBN: 978-1-4556-2441-6
Page Count: 32
Publisher: Pelican
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Margarita del Mazo ; illustrated by Silvia Álvarez ‧ RELEASE DATE: Nov. 10, 2015
Too many bugs, figuratively.
Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.
The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.
Too many bugs, figuratively. (Picture book. 4-6)Pub Date: Nov. 10, 2015
ISBN: 978-84-16147-00-7
Page Count: 32
Publisher: Cuento de Luz
Review Posted Online: July 21, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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