by B.J. Ward ; illustrated by Steven Kellogg ‧ RELEASE DATE: Nov. 12, 2013
Alas, toilet humor always seems to lure kids in, whether the story warrants it or not (Marty’s is the latter).
Walter the Farting Dog has new company in Marty, a cat with star potential.
Mary Jane’s new cat is gassy (to put it mildly), but she loves him just the same. When a voice tutor visits, the whole family comes to recognize his true gift amid all the odor: After eating some grapes, French cheese and the “hand-painted sack” they came in, Marty plays “Au Clair de Lune” with his tush. Some experimentation follows. “First French! Now Italian! This testing reveals, / Marty’s audio output is inspired by his meals!” Marty stuns the crowd at the Gala Pet Show with fireworks (after eating franks and beans) before tooting “Yankee Doodle Dandy.” His fame established, Marty sets off on a world tour. While Ward would like children to believe that their pets’ flatulence is a gold mine waiting to be discovered, not many parents are likely to find even Marty to be worth much. Oddly divided verses and stumbling scansion make reading this aloud a bit of a challenge, and for once, Kellogg’s illustrations are not enough to save the tale. Marty’s wide-open green eyes alternate between giving him an always-surprised expression and just looking creepy, and his gas is shown as swooshes of color (and sometimes words) coming from his rear end.
Alas, toilet humor always seems to lure kids in, whether the story warrants it or not (Marty’s is the latter). (Picture book. 4-8)Pub Date: Nov. 12, 2013
ISBN: 978-1-4424-3901-6
Page Count: 32
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
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by Aaron Reynolds ; illustrated by Peter Brown ‧ RELEASE DATE: Aug. 22, 2017
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
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Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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