by Blair Thornburgh ‧ RELEASE DATE: June 4, 2019
This wise, funny, thoroughly contemporary coming-of-age tale earns bonus points for acing the Bechdel test.
Self-contained, responsible Plum, long eclipsed by her brilliant, exhausting older sister, Ginny, breaks free when domestic disasters reshape the family landscape.
The sisters’ beloved Victorian home needs costly maintenance. That’s not happening on their artist mother’s teaching income and book royalties, even with a paying tenant. Their deceased father’s life-insurance payout covers tuition at the girls’ Philadelphia private school. Financial stress aside, the all-white, all-female trio, plus pets, is close-knit, though Ginny, a senior whose Ivy League hopes rest on winning a hefty scholarship, feels overwhelmed. Plum, 15—shy at school, assertive at home—soothes her, shouldering household tasks Ginny’s too agitated or busy for and their distracted mother overlooks. As they’re coping with a financial blow that coincides with a plumbing emergency, Ginny ditches her family for Thanksgiving. Feeling abandoned, Plum keeps her hesitant, fledging friendship with outgoing, popular Tate Kurokawa (implied biracial white Jewish/Japanese), her social opposite, secret. When she’s hired to tutor Tate, their awkward, confusing affinity grows. The sisters’ relationship—what pulls them apart, what draws them together when their connection is strained—is the story’s beating heart. While there’s romance, this is no pink-coded, Austen retread but a well-told, universally human—regardless of gender—tale about teens discovering who they are, where they want to go, and how to get there.
This wise, funny, thoroughly contemporary coming-of-age tale earns bonus points for acing the Bechdel test. (Fiction. 13-18)Pub Date: June 4, 2019
ISBN: 978-0-06-244781-4
Page Count: 368
Publisher: HarperTeen
Review Posted Online: March 6, 2019
Kirkus Reviews Issue: April 1, 2019
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Holly Black ‧ RELEASE DATE: Jan. 2, 2018
Black is building a complex mythology; now is a great time to tune in.
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New York Times Bestseller
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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