No rotten bananas here.
The Food Is Fun Healthy Eating Good Nutrition Pageant is great…unless you are the Second Banana.
All 15 of Mrs. Millet’s students are excited each year for the pageant. Each gets to play a different healthy food, but this year there are 16 students. When everyone is assigned a role, it turns out there will be two bananas. The narrator is not pleased. This kid wants to be the only banana. Mrs. Millet is consoling, but she doesn’t understand. And the little Second Banana’s family doesn’t even sympathize—they just make banana puns. The class rehearses all month long, and throughout, the Second Banana fumes at getting only half a line and half as much time on stage! Two days before the pageant, the kid realizes that First Banana doesn’t seem happy either. It turns out First Banana doesn’t want to be onstage at all. Second Banana tries to cheer up First, but to no avail. Thinking fast, the narrator has a bright idea for a new show finale and ends up with a new friend. Thornburgh’s school story about making the best of a less-than-optimal situation and showing kindness and empathy for a new friend will ap-peel (sorry) to young readers and listeners, who will easily identify. Berube’s expressive cartoons are a good match—those food costumes are pretty funny. Both bananas have pale skin, Mrs. Millet is a woman of color, and the rest of the class is diverse and includes one child who uses a wheelchair. (This book was reviewed digitally with 9.3-by-18.6-inch double-page spreads viewed at 83.5% of actual size.)
No rotten bananas here. (Picture book. 3-8)Pub Date: Aug. 11, 2020
ISBN: 978-1-4197-4234-7
Page Count: 32
Publisher: Abrams
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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