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BIRD HOUSE

This little gem elicits a sense of deep-seated comfort and refuge for these uncertain times.

A little yellow bird is grounded in the snow with a broken leg when a child and their abuela rescue it.

Cupping it gently in her hands, Abuela takes the bird home and sets its leg while her grandchild eagerly looks on. Settling the bird in a domed cage, they both care for it until, soon, the bird is flying around the house—to the child’s delight and the cat’s frustration. The day comes to release the healed bird, and the child waves it on its way as it flies over the city. But one spring day a familiar sight greets them—their winged friend has returned. Although the child yearns to keep it, Abuela soothingly reminds her grandchild that the bird belongs to itself and has the right to fly free. But Abuela constructs a sturdy birdhouse from a blueprint and mounts it beside the balcony door—an implicit invitation for future visits. Spanish author/illustrator Gómez’s semiautobiographical tribute to her own abuela is a charming window into an idyllic childhood infused with love for all living things. The simple, flowing first-person narrative flits from page to page in a gentle lilting commentary on harmony and respect. Gómez’s carefully constructed images, from the well-tended profusion of plants to the child-sized chair and mouse toy, are whimsically detailed and subtly compelling. Both child and Abuela have light-brown skin. A Spanish-language edition, Un pájaro en casa, publishes simultaneously. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at actual size.)

This little gem elicits a sense of deep-seated comfort and refuge for these uncertain times. (Picture book. 4-7)

Pub Date: April 20, 2021

ISBN: 978-1-4197-4408-2

Page Count: 32

Publisher: Abrams

Review Posted Online: March 1, 2021

Kirkus Reviews Issue: March 15, 2021

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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