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DÍA DE DISFRACES

Genial and satisfying in its sweet, childlike simplicity.

Madrid resident, author, and illustrator Gómez delivers yet another delightful picture book reflecting childhood’s simple joys.

A young, brown-skinned girl is eager to show off her homemade rabbit get-up at her class’s upcoming costume party. Unfortunately, on the big day, she wakes up sick, so she has to stay home, much to her chagrin. Feeling better the next day, she dons her rabbit costume upon her mother’s suggestion, then eagerly heads to school. Her schoolmates’ reception, however, is less than ideal—students stare, point, and laugh. A moving, wordless double-page spread shows the protagonist running away from the playground in embarrassment. But when Hugo, who also missed the costume party, arrives wearing a carrot costume—“seriously!”—a game of rabbit-chases-the-carrot begins, and soon everyone wants to join the fun. The text is inflected with Spanish colloquialisms (cole, conejito, tenía tantas ganas, genial) from beginning to heartfelt end. The translation in the simultaneously published English edition is somewhat choppy and doesn't do the original Spanish edition justice. The charming paper collage and digital illustrations have a flat rendering style reminiscent of child art and faithfully capture the distinctive gestures and deeply felt emotions of young children. The book’s artwork includes diverse representation. (This review was updated for accuracy.)

Genial and satisfying in its sweet, childlike simplicity. (Spanish language picture book. 4-7)

Pub Date: March 22, 2022

ISBN: 978-1-4197-5858-4

Page Count: 40

Publisher: Abrams

Review Posted Online: Dec. 15, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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