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THE CALDER GAME

Balliett’s third mystery falls short of Chasing Vermeer’s brilliance, and the triangular friendship among Calder, Petra and Tommy, skillfully developed in The Wright 3, receives bumpier treatment here (2004; 2006). The three seventh graders experience a transformative field trip to view Alexander Calder’s massive, colorful mobiles. The scene shifts radically when Calder’s father takes his son along on a business trip to England. Calder goes missing and stays thus for nearly half the novel. Improbably, Petra, Tommy and their elderly friend Mrs. Sharp fly to England to assist. Intricate plotting involves Blenheim Palace’s maze, an anonymously (and roundly disliked) donated Calder sculpture stolen from Woodstock’s village square, a mysterious American named Art Wish, the influence of the elusive British guerilla artist Banksy, a gad-about cat and much more. Tommy and Petra’s pairing kindles mutual admiration but oddly hapless explorations—Calder, trapped in a Palace waterfall’s hidden crevasse, ends up rescued by cops. While a fourth adventure’s intimated, problematic construction and too many tidy dei ex machinis (including their nasty teacher’s turning terrific) mar this one. (author’s notes) (Fiction. 9-12)

Pub Date: May 1, 2008

ISBN: 978-0-439-85207-4

Page Count: 400

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2008

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BUTT SANDWICH & TREE

Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t.

Brothers, one neurodivergent, team up to shoot baskets and find a thief.

With the coach spit-bellowing at him to play better or get out, basketball tryouts are such a disaster for 11-year-old Green that he pelts out of the gym—becoming the chief suspect to everyone except his fiercely protective older brother, Cedar, when a valuable ring vanishes from the coach’s office. Used to being misunderstood, Green is less affected by the assumption of his guilt than Cedar, whose violent reactions risk his suspension. Switching narrative duties in alternating first-person chapters, the brothers join forces to search for clues to the real thief—amassing notes, eliminating possibilities (only with reluctance does Green discard Ringwraiths from his exhaustive list of possible perps), and, on the way to an ingenious denouement, discovering several schoolmates and grown-ups who, like Cedar, see Green as his own unique self, not just another “special needs” kid. In an author’s note, King writes that he based his title characters on family members, adding an element of conviction to his portrayals of Green as a smart, unathletic tween with a wry sense of humor and of Cedar’s attachment to him as founded in real affection, not just duty. Ultimately, the author finds positive qualities to accentuate in most of the rest of the cast too, ending on a tide of apologies and fence-mendings. Cedar and Green default to White.

Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t. (Fiction. 9-12)

Pub Date: Aug. 23, 2022

ISBN: 978-1-66590-261-8

Page Count: 272

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: May 9, 2022

Kirkus Reviews Issue: June 1, 2022

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A GIRL, A RACCOON, AND THE MIDNIGHT MOON

The magic of reading is given a refreshingly real twist.

This is the way Pearl’s world ends: not with a bang but with a scream.

Pearl Moran was born in the Lancaster Avenue branch library and considers it more her home than the apartment she shares with her mother, the circulation librarian. When the head of the library’s beloved statue of poet Edna St. Vincent Millay is found to be missing, Pearl’s scream brings the entire neighborhood running. Thus ensues an enchanting plunge into the underbelly of a failing library and a city brimful of secrets. With the help of friends old, uncertainly developing, and new, Pearl must spin story after compelling story in hopes of saving what she loves most. Indeed, that love—of libraries, of books, and most of all of stories—suffuses the entire narrative. Literary references are peppered throughout (clarified with somewhat superfluous footnotes) in addition to a variety of tangential sidebars (the identity of whose writer becomes delightfully clear later on). Pearl is an odd but genuine narrator, possessed of a complex and emotional inner voice warring with a stridently stubborn outer one. An array of endearing supporting characters, coupled with a plot both grounded in stressful reality and uplifted by urban fantasy, lend the story its charm. Both the neighborhood and the library staff are robustly diverse. Pearl herself is biracial; her “long-gone father” was black and her mother is white. Bagley’s spot illustrations both reinforce this and add gentle humor.

The magic of reading is given a refreshingly real twist.   (reading list) (Fantasy. 10-12)

Pub Date: Jan. 7, 2020

ISBN: 978-1-4521-6952-1

Page Count: 392

Publisher: Chronicle Books

Review Posted Online: Aug. 25, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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