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JERUSALEM

A FAMILY PORTRAIT

A hefty tableau of beautifully gnashed teeth.

This ambitious graphic novel traces the chaotic, bloody early history of the modern Jewish state in Palestine, focusing on a fractious family living in the hotly contested city of Jerusalem.

In April 1945, the Halabys live in the motley Machane Yehuda neighborhood of British Jerusalem. After inheriting property from his late father, kind, soft-spoken patriarch Izak now lives in a modest apartment with no-nonsense Jewish-Egyptian wife Emily and their four sons and lone daughter (and, eventually, a down-on-their luck family Izak takes pity on, much to Emily’s chagrin). Idealistic, artistic Avraham joins the Communist Party, under the leadership of noble Elias Habash, urging class solidarity between Jew and Arab alike. With Avraham returned from serving overseas with the Jewish brigade of the British army, dutiful David now enlists, devastating young Motti. Defiant Ezra delivers telegrams—and anti-British propaganda, journeying deeper into violent insurgency. Fearless, intelligent scamp Motti is best friends and classmates with cousin Jonathan, whose wealthy father, Yakov, deeply resents Motti’s father—his own brother. Bashful Devorah struggles with self-esteem as the world around her falls apart, though Jonathan insists she’s the most beautiful girl in the neighborhood. Through perils large and small—military occupation, suppression of Jewish identity, labor protests, internecine disputes, theater productions, open warfare—the family and city spiral into darkness, drenched in blood, as kindness and honor fail to overcome perceived slights. This dense work of nearly 400 pages offers almost no narration, save the opening six pages (map, condensed textual histories, illustrated family tree) that serve as a legend to be flipped back to time and again as the complex tale whirls mercilessly toward an intercut montage worthy of Francis Ford Coppola’s Godfather. Filmmaker and author Yakin (Marathon, 2012, etc.) doesn’t offer an easy read—the story is unapologetically larger than its pages—or any easy answers, which is bittersweetly appropriate given the subject matter. Bertozzi’s (Lewis & Clark, 2011, etc.) clean lines and deceptively cartoonish art deftly capture everything, from subtle emotion to human dismemberment.

A hefty tableau of beautifully gnashed teeth.

Pub Date: April 16, 2013

ISBN: 978-1-59643-575-9

Page Count: 402

Publisher: First Second

Review Posted Online: July 6, 2013

Kirkus Reviews Issue: July 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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