ELLIE'S DRAGON

As a girl gets bigger and older, her imaginary friend…well, gets bigger.

Spotting Scratch—“pale and luminous, with shifting rainbow colors, like oil on water”—crawling from an egg carton at the store, little Ellie makes a home for him in her bedroom dollhouse. When she’s old enough for preschool, she brings him along to be admired by her classmates (grown-ups can’t see him), and he comes along to the movies when her dad visits on weekends too. But when she turns 5 and goes to kindergarten, Scratch stays home, and as years go by he gets harder and harder to see. Finally, when Ellie turns 13, Scratch slips away…to be found wandering the streets by little Sam. In Graham’s typically restrained, softly hued cartoon scenes, Scratch grows from mouse- to bus-size but always somehow fits, even in Ellie’s cozy bedroom, without crowding. Along with Graham’s calm, abstracted expressions and the occasional piercing, tattoo, or punk hairdo, the dot-eyed human figures in street and classroom settings display subtle but visible differences in racial presentation: Ellie and her parents are White; Sam and his family are people of color. Though the story bears obvious similarities to “Puff, the Magic Dragon,” its emotions are more nuanced and contemplative than that hoary classic’s. (This book was reviewed digitally with 11.5-by-20-inch double-page spreads viewed at 75% of actual size.)

A low-key love story about growing and outgrowing.