by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton ‧ RELEASE DATE: Oct. 1, 2012
An effervescent adaptation of Bob Marley’s “Three Little Birds,” with a skinny plotline supplied by the art and new themes and verses added by the songwriter’s eldest daughter.
Sporting stubby dreadlocks and a broad smile in Brantley-Newton’s sunny scenes, a child with Marley’s iconic image on his shirt waltzes out to the playground. There, three songbirds (supervised by an alert cat) “perch on the swing set, / Whistling these words, / These harmonies sweet in the air. / Sometimes you just need to show you care…” as he kicks a soccer ball about with both old friends and a newly made one. Later, he makes a gooey mess in the kitchen, earns quick parental forgiveness (“Everyone can make a mistake they say”) and is sung to sleep by birds and parents alike. Being given just once each time rather than repeated as in the song, the chorus looks and (read or sung aloud) sounds choppy, but the new lyrics slip easily into the cadences of the old, and by the end, even the cat is dancing. A sweet elaboration of the original’s reassuring message that “every little thing is gonna be all right.” (afterword) (Picture book. 4-8)
Pub Date: Oct. 1, 2012
ISBN: 978-1-4521-0697-7
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: Aug. 28, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Michelle Worthington ; illustrated by Joseph Cowman ‧ RELEASE DATE: April 14, 2015
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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