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COMEDY COMEDY COMEDY DRAMA

A MEMOIR

While clearly aimed at aspiring writers and performers, this fun, thoughtful book will appeal to aspirants in any field.

In his third book, the acclaimed actor, writer, and director examines his career through comedic and dramatic roles.

Odenkirk begins with his intention to chronicle both his successes and his failures, the latter of which constitute “a big part of my slog through the muck of showbiz….I promise that if I can ascertain a pithy truism, I’ll cough it up onto these pages so you can append it to your secret success journal.” The author follows his career from sketch comedy in Chicago to writing for Saturday Night Live and many other series in the 1990s. Odenkirk then examines his partnership with David Cross and the cult series Mr. Show With Bob and David (1995-1998), his forays into directing, and his best-known role, crooked lawyer Saul Goodman in Breaking Bad and its spinoff, Better Call Saul. The roller-coaster nature of Hollywood is a consistent theme throughout, and Odenkirk hits on a sentiment that many actors and directors may share: “I tried just as hard at the stuff that didn’t work as I did at the stuff that worked.” He examines why certain projects clicked and others flopped, using both a conversational tone and the occasional direct input of others. Anyone wishing to pursue a career in entertainment, he writes, must “keep making new things in spite of every ‘no.’ To somehow stay in touch with the joy that brought you into the game.” As a writer, performer, director, and producer, Odenkirk gives a fascinating perspective on many aspects of the industry, and his explorations of his later career shift into dramatic roles—e.g., The Post in 2017, Little Women in 2019, and Nobody in 2021—are illuminating about both his own acting process and the creative work of other actors and entertainers.

While clearly aimed at aspiring writers and performers, this fun, thoughtful book will appeal to aspirants in any field.

Pub Date: March 1, 2022

ISBN: 978-0-399-18051-4

Page Count: 304

Publisher: Random House

Review Posted Online: Sept. 28, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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  • New York Times Bestseller

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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