by Bob Odenkirk David Cross with Brian Posehn ‧ RELEASE DATE: Sept. 13, 2013
In the case of these scripts, Hollywood was right.
This collection extends the publishing concept of “cleaning out the closet” to the extreme.
The target readership for this book would seem to be small but specific: comedy cultists and Mr. Show completists. The series ran for four years on HBO during the mid-1990s, and both of the co-authors have earned higher-profile TV credits in the 15 years since (Cross with Arrested Development and Odenkirk with Breaking Bad). If there was ever a time when Mr. Show might have spawned some movies, the market for those has long since dissipated. The former dates from 1998 and offers broad political satire on the corporate co-opting of the presidency and the development of the ultimate gated community: a new planet restricted to the rich people who have plundered the Earth. One bit features Abraham Lincoln as a gangsta rapper: “Damn it’s me G. A.B.E. to the L.I.N.C. Doin’ a drive-by on slizzavery.” The latter (which opens the book, though it was written in 2003) is a series of sketches loosely connected by the concept of two comedians trying to get their movie made. The funniest one concerns “Noodlefest,” a Woodstock for jam bands, which features only one band playing one interminable song and reaches a state of medical emergency by boring its attendees to death. “This marries our hatred of jam bands with our detestation of sleazy Hollywood producers,” the authors explain in a postscript annotation that further pads the volume.
In the case of these scripts, Hollywood was right.Pub Date: Sept. 13, 2013
ISBN: 978-1-4555-2630-7
Page Count: 288
Publisher: Grand Central Publishing
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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