The old ball game is still great fun.
Will there ever be joy in Mudville now that mighty Casey has struck out? It is the day after that awful game, and now there is a chance for redemption.
But it’s not really about Casey. He actually redeems himself when he hits a home run that puts the team ahead, but the Mudville pitcher falters by walking three straight batters in the ninth inning with two out. They don’t need Casey right now; they need a solid relief pitcher. In comes Joy, a female rookie pitcher whom the crowd greets with mistrust, boos and catcalls. Her technique is extremely unusual. She variously emulates a football snap to the quarterback, a tennis serve and a basketball dribble and jump shot. Finally, Joy kicks a bunt back to home plate for the out to save the game. And the crowd goes wild. Raczka’s sequel echoes Ernest Lawrence Thayer’s original, which appears in full following the victory. Although many of his lines are choppy, and unfortunately, the rhymes are too often tortured, the repartee between the whining batter and the umpire is delightful, as is Joy’s highly imaginative, definitely rule-breaking pitching style. In Dibly’s bright illustrations, the umpire steals some of the spotlight, as his attire and mannerisms match Joy’s other-sport pitches, and all the characters’ expressions and actions are perfectly suited to this very odd game.
The old ball game is still great fun. (Picture book. 5-9)Pub Date: April 1, 2014
ISBN: 978-0-7613-6015-5
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Jan. 21, 2014
Kirkus Reviews Issue: Feb. 1, 2014
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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