The energetic sequel to Look! A Book! (2011) picks up just where the last one ended.
With the same welcoming die cuts and sparkling graphic style, Staake's creativity and humor are front and center here. From the opening pages, readers know what's to come. "Now open up this crazy book, / grab a seat—and have a LOOK!" Readers will take a lot more than just one look at these absorbing pages. The solid-colored pages are graced with small die cuts that reveal little tidbits of the busy scenes hiding on the following spreads. Sometimes the page turns make the images blend seamlessly into the busy new scene in a pleasing way, allowing readers to wonder how the illustrator pulled that little magic trick. The die cuts themselves also seem to disappear with the page turn, leading readers to touch the pages to find the circles and to prove that they are still there. Each scene is a familiar one, but closer inspection reveals surprising details. On the school page, a sasquatch cavorts on the playground, an alligator acts as crossing guard, and a one-eyed green monster peeks around the schoolhouse. Art lovers will love the very hip museum scene, filled with familiar, iconic images. Even the copyright page has an inside joke for the careful observer. The jaunty rhyme and easy-to-decode words make this a perfect choice for the new reader. (Picture book. 4-12)
Pub Date: Dec. 4, 2012
ISBN: 978-0-316-20459-0
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Oct. 2, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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