Despite these quibbles, this is a clear and developmentally appropriate introduction to our world for the youngest children.
A simple exploration of geography via the continents and the animals that live on them.
The first double-page spread distinguishes the continents from the oceans. The subsequent spreads are devoted to one continent each. A large map of the continent appears in the upper-left corner, and a slightly rough tactile element outlines the land masses for little fingers to trace. Three animals are pictured and named (North America features a bison, a bald eagle and a moose) in the center of the spread. A world map appears in the lower-right corner showing readers where they will be off to next when they turn the page. The final spread has a gatefold panel that opens to reveal a world map with the continents labeled and the animals again pictured in their appropriate locations. Nassner’s images are simple, clear and handsome in muted colors against subtle faux wood grain. The authors explain their approach as rooted in the Montessori method. There is potential for confusion, as the shapes as presented on the opening circular map are inevitably different from those presented on the subsequent flat projection; Antarctica in particular suffers from the transition.
Despite these quibbles, this is a clear and developmentally appropriate introduction to our world for the youngest children. (Board book. 3-6)Pub Date: July 15, 2014
ISBN: 978-1-4197-0934-0
Page Count: 20
Publisher: Abrams Appleseed
Review Posted Online: June 26, 2014
Kirkus Reviews Issue: Jan. 1, 2015
A successful swap from coconut tree to Christmas tree.
A Christmas edition of the beloved alphabet book.
The story starts off nearly identically to Chicka Chicka Boom Boom (1989), written by John Archambault and the late Bill Martin Jr, with the letters A, B, and C deciding to meet in the branches of a tree. This time, they’re attempting to scale a Christmas tree, not a coconut tree, and the letters are strung together like garland. A, B, and C are joined by the other letters, and of course they all “slip, slop, topple, plop!” right down the tree. At the bottom, they discover an assortment of gifts, all in a variety of shapes. As a team, the letters and presents organize themselves to get back up on the Christmas tree and get a star to the top. Holiday iterations of favorite tales often fall flat, but this take succeeds. The gifts are an easy way to reinforce another preschool concept—shapes—and the text uses just enough of the original to be familiar. The rhyming works, sticking to the cadence of the source material. The illustrations pay homage to the late Lois Ehlert’s, featuring the same bold block letters, though they lack some of the whimsy and personality of the original. Otherwise, everything is similarly brightly colored and simply drawn. Those familiar with the classic will be drawn to this one, but newcomers can enjoy it on its own.
A successful swap from coconut tree to Christmas tree. (Picture book. 3-5)Pub Date: Oct. 1, 2024
ISBN: 9781665954761
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
Formulaic fare that will nevertheless charm devoted followers.
A few familiar friends explore gratitude.
Daywalt’s crayons have observed many holidays, from Christmas to Earth Day. On Thanksgiving, these anthropomorphic school supplies wax (pun intended) poetic about their favorite things to draw. “Blue is thankful for blueberries.” (The accompanying illustration depicts the stubby crayon leaping into a pile of the fruit.) Black, on a page topped by dark scribbles, “is thankful for night skies.” In an aside, Black adds, “Big, beautiful night skies I get to color in all by myself!” (Blue is perfectly fine with this.) Pink pipes up with “Three glorious words. Amazon. River. Dolphins”—which may spur readers to research these creatures. The tale turns a bit meta, too. Teal is thankful for family—both Blue and Green. Red, surrounded by hearts, is thankful for Neon Green Highlighter, who was accidentally dropped into the crayon box—a “dreamboat” for sure. Recognizable jokes from previous works make appearances; these callbacks will delight staunch fans, though others will find them tiring. Standard cheer and platitudes abound; the crayons are ultimately most grateful for each other.
Formulaic fare that will nevertheless charm devoted followers. (Picture book. 3-6)Pub Date: Sept. 10, 2024
ISBN: 9780593690574
Page Count: 32
Publisher: Philomel
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
BOOK REVIEW
BOOK REVIEW
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