Reserve this for older preschoolers and primary-grade children who may need a fun outlet for candy-fueled Halloween...
Luring readers with a golden, holographic display type for the title and a grooving green monster on the cover, Catrow pairs his freakishly imaginative artwork with the lyrics to the perennial favorite.
The entire song serves as the rhythmic text in this over-the-top visual experience. Adults who read this aloud will find it difficult not to sing it instead, but a slower oral pace is necessary so that younger eyes can take in the decadently gruesome, bizarre and otherwise weird things that populate the pages. The surreal images are created with a combination of pencil, watercolor, gouache and ink. Kids will either cringe or be fascinated by the spiderlike eyeball with blood vessel trailing behind, the skull with two eyes in one socket outfitted with an octopus bottom or the huge Venus flytrap/insect hybrid. The party reaches a crescendo when the coffin bangers arrive with “The Crypt-Kicker Five,” and out come emaciated rocker skeletons riffing on guitars and impressing with gyrating moves à la the Rolling Stones. On the final pages, two normal kids and a dog come to the door of the creepy castle…and “catch on in a flash” when doing the “monster mash.”
Reserve this for older preschoolers and primary-grade children who may need a fun outlet for candy-fueled Halloween craziness. Clever and odd—but ultimately not essential. (Picture book. 4-7)Pub Date: July 1, 2012
ISBN: 978-0-545-21479-7
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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