A powerful, lyrical tribute to the musician whose music is so much a part of our lives.
This moving biography honors the life and work of the legendary folk singer who celebrated the lives of working people all over the US.
Guthrie, born in Oklahoma in 1912, came from a poor family filled with music, but devastated by death and illness. As a youngster, he absorbed the sounds of country living and the traditional music of Oklahoma and Texas. Later, during the Great Depression, he used these memories to become a popular voice for the dust bowl refugees, writing and singing about them and performing on radio in Los Angeles. He spent years moving from place to place in support of the union movement, migrant field workers, and coal miners. Christensen (Moon Over Tennessee, 1999, etc.) writes briefly of his marriages, his children, and his eventual tragic death from Huntington’s disease, but the thrust is his devotion to the cause of downtrodden workers. The words of his signature song “This Land is Your Land” run along the top of each page and are printed in their entirety at the end along with a timeline and Web site citation. (No bibliography or source notes are included.) Christensen’s text is strong and beautiful, as rich in images as her subject’s music. Through them, the reader will get a wonderful sense of the soul of her subject and his times. Read aloud, this could work for younger readers, but the dramatic mixed media, woodcut-like illustrations in a picture-book format will attract older ones as well.
A powerful, lyrical tribute to the musician whose music is so much a part of our lives. ((Biography. 8-10))Pub Date: Oct. 9, 2001
ISBN: 0-375-81113-3
Page Count: 32
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2001
An immensely popular figure in his day, the Brazilian-born Alberto Santos-Dumont invented a personal dirigible that he...
So the Wright Brothers were the first to fly? Au contraire, asserts Griffith in this rare portrait of a little-known (in this country, at least) early aviator.
An immensely popular figure in his day, the Brazilian-born Alberto Santos-Dumont invented a personal dirigible that he steered around the Eiffel Tower and drove out to run errands. Griffith’s prose isn’t always polished (“If Blériot succeeded to fly first….”), but her narrative makes her subject’s stature clear as she takes him from a luncheon with jeweler Louis Cartier, who invented the wristwatch to help his friend keep track of his time in the air, to his crowning aeronautical achievement in 1906: He beat out both the secretive Wrights and pushy rival Louis Blériot as the first to fly an aircraft that could take off and land on its own power. The author covers his career in more detail in a closing note (with photos), ascribing his eventual suicide in part to remorse that, instead of ushering in an era of peace as he had predicted, aircraft were being used in warfare. Montanari’s genteel pastel-and-chalk pictures of turn-of-the-20th-century Paris and Parisians don’t capture how much larger than life Santos-Dumont was, but they do succeed in helping Griffith bring him to American audiences.Pub Date: Sept. 1, 2011
ISBN: 978-1-4197-0011-8
Page Count: -
Publisher: Abrams
Review Posted Online: Aug. 2, 2011
Kirkus Reviews Issue: Aug. 15, 2011
Lenticular plates add an appropriately eye-catching gimmick to this quick profile of the 19th-century photographer whose sequential photographs of a horse galloping established that during its stride, all four hooves left the ground.
The four lenticular plates (one of which is duplicated for the cover) are based on Muybridge’s photos and more or less suggest what audiences who viewed the originals through his spinning Zoopraxiscope might have seen. Unfortunately, two are silhouettes, and none can be angled to offer a clean single image. More helpfully, the full sets of stills from which the plates are drawn along with sequences of other characteristic subjects—from the galloping horse that first made him famous to a flying bird and a winsome child picking up a doll—are included too. These, along with Braun’s terse but specific account of Muybridge’s career and achievements offer a clearer sense of why his photos are still worth studying for what they reveal about animal and human movement. Not to mention that they’re entertaining to pore over. As he regularly rates mention in histories of early filmmaking but almost never anywhere else, his work may be new to young readers and viewers, to boot. Low production values notwithstanding, a rare glimpse of a historically significant visual artist who also plainly had a well-developed sense of fun. (chronology, resource list) (Biography. 8-10)
Pub Date: Dec. 1, 2013
ISBN: 978-1-77085-229-7
Page Count: 24
Publisher: Firefly
Review Posted Online: Nov. 1, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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