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WHO TOOK THE COOKIES FROM THE COOKIE JAR?

The familiar children’s playground chant, “Who Stole the Cookies from the Cookie Jar,” is broadened here into a picture-book mystery that’s a delight to view, but less successful as a read-aloud. When a skunk goes to the cookie jar to get cookies to go with his milk, all he finds are crumbs. In turn, he asks his friends mouse, raven, squirrel, rabbit, turtle, raccoon, snake, beaver, and frog if they have taken the treats. The individual denials and the connecting refrain, “Then who took the cookies? The jar was full! Where did they go? Mmm . . . Oh! . . . Now I know . . .” strain, and the added words throw off the easy rhythm of the original. But Wolff’s (Each Living Thing, p. 56, etc.) white-framed watercolor and pen-on-paper illustrations are bold and lively, expanding on the brief text. The setting is a desert expanse with cactus and wildflowers in bloom and a stream meandering through. Wolff introduces skunk on the title page as he holds a steaming tray of chocolate chip cookies, and a lizard accompanies skunk throughout his search, which lasts well past nightfall. They follow visual clues such as the trail of cookie crumbs and various footprints, the search culminating in a moonlit celebration. It won’t take observant viewers too long, however, to guess the culprits, as a line of ants parades across the front left endpaper. They are pointing to a page where the game is explained, with suggested variations, and a melody and guitar chords are provided for singing the original song. (Picture book. 3-6)

Pub Date: Sept. 1, 2000

ISBN: 0-316-82016-4

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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LOUD MOUSE

A muddled message shoots for the moon but never quite gets all the way off the ground.

A little mouse experiences BIG changes thanks to a spectacular talent.

Dee’s a singer to her core. She croons absolutely everywhere, so when her teacher Miss Pink suggests that her students bring in something that symbolizes what they enjoy doing, Dee brings in a song. As she sings it, however, her joy causes her to physically grow huge! At first this makes her feel special, but as the day goes on she feels lonely and out of place. Shrinking back to her normal size, she worries that this means she can never sing again. But thanks to the encouragement of her mother and little sister, she realizes that being special is nothing to be ashamed of. However, though her classmates have skills of their own, only Dee changes, indicating that some talents are more transformative than others. After all, while everyone is enthralled by Dee, Ren the turtle’s talent for drawing a replica of a space station is something he “made everyone watch.” The true standout in this show comes from Sinquett’s dynamic art, capable of encompassing the emotional highs and lows of elementary school kids. (This book was reviewed digitally.)

A muddled message shoots for the moon but never quite gets all the way off the ground. (Picture book. 3-6)

Pub Date: Sept. 27, 2022

ISBN: 978-1-368-07806-1

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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