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TOO GOOD TO GET MARRIED

THE LIFE AND PHOTOGRAPHS OF MISS ALICE AUSTEN

A sensitive portrait of a prolific photographer.

Alice’s world.

Yochelson, former curator of prints and photographs at the Museum of the City of New York, pays homage to photographer Alice Austen (1866-1952), who, like Jacob Riis and Lewis Hine, documented a changing America. Born Elizabeth Alice Austen Munn, she grew up at Clear Comfort, her family’s estate on Staten Island, now a public museum and, since 2015, designated an LGBTQ+ landmark. Although her parents separated, Alice grew up in wealth and privilege, indulging in her passion for lawn tennis and, in the mid-1880s, taking up photography, including developing her own prints. Her subjects were family, friends, and suitors; travels near and far; nature and urban scenes. Not interested in selling her work, she often gave framed prints as gifts. Generously illustrated, the biography reveals a change in her perspective in 1891 when she began to use her camera to satirize social rituals and gender politics—posing herself and friends dressed in men’s clothes, for example. In 1893, she traveled to Chicago, the farthest she had ever been from home, to photograph buildings and exhibits at the World’s Columbian Exposition. In Manhattan, she documented tradespeople and immigrants she called “street types.” Claiming she was “too good to get married,” Austen found a lifelong companion in Gertrude Tate, whom she met in 1897. They traveled together but did not live together until 1917. Financial troubles dogged their later years: Austen lost all her money in the stock market crash of 1929, and even selling her possessions could not prevent the pair from being eventually evicted from Clear Comfort. Yochelson traces the fraught process by which Austen’s photo collection was rescued by the Staten Island Historical Society, as well as a posthumous controversy over her sexuality.

A sensitive portrait of a prolific photographer.

Pub Date: June 3, 2025

ISBN: 9781531509507

Page Count: 288

Publisher: Empire State Editions/Fordham Univ.

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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