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THE LIGHTNING ROD

A smart crime package, both funny and serious.

Zig and Nola are back in this fast-moving thriller laced with blood and wit.

In “the last fourteen minutes of his life,” Wojo the valet steals Archie Mint’s BMW and drives it to the Mint family home, led there by the car’s GPS. It's a robbery scheme that's worked before, but this time both the valet and Mint—who followed him—end up dead, shot by someone waiting in the house. Jim “Zig” Zigarowski works at Calta’s Funeral Home and is an artist in making the dead look their very best. One woman “hasn’t looked this good since Reagan was President,” he’s told. Before Calta’s, he’d been a mortician at Dover Air Force Base, which houses “America’s most secretive funeral home,” for two decades. Zig’s gift is to be able to repair any body, no matter how badly damaged. Now he’s called back to Dover to take care of murdered veteran Lt. Col. Archie Mint. He has no idea what the government is up to, and he just wants to show the greatest respect for the dead. As he works, he always talks to the deceased as though to comfort them—he’s odd but obviously decent. He’s also a beekeeper who converses with the hive. Then, at the funeral home in Dover, he sees the Army's Artist-in-Residence, Sgt. Nola Brown, the lightning rod who attracts so much trouble. She’d not only saved Zig’s daughter’s life when they were Girl Scouts, but two years ago she’d shot her own foster father in the head to save Zig’s life. “Nola didn’t walk; she lurked,” and her “sheer intensity…radiated off her, like plutonium.” Zig and Nola discover something “fishy” about Mint's death. He'd been about to take secrets of criminal activity to his grave, and Zig and Nola might get killed trying to uncover them. The plot carries the story to a government facility called Grandma’s Pantry, apparently a real place where the feds once stored supplies for the aftermath of nuclear war. The characters are mostly delightful, including Nola’s cop brother, Roddy, who is trying not to be the monster he’d apparently been as a kid. “We each have a little monster inside us,” as he was told. Not so delightful are the Reds, two redheaded killers who aren’t above sawing tracheas. There’s plenty of clever dialogue and details like the woman with the rhinestoned oxygen tank.

A smart crime package, both funny and serious.

Pub Date: March 8, 2022

ISBN: 978-0-06-289240-9

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: April 11, 2022

Kirkus Reviews Issue: May 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TELL ME WHAT YOU DID

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.

Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?

Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.

Pub Date: Jan. 14, 2025

ISBN: 9781464226229

Page Count: 448

Publisher: Poisoned Pen

Review Posted Online: Nov. 9, 2024

Kirkus Reviews Issue: Dec. 15, 2024

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