by Brad Watson ‧ RELEASE DATE: Aug. 1, 2002
Southern storytelling is alive and well in Watson’s capable hands. An excellent debut.
A seamless interweaving of narrative, remembrance, dreaming, and fantasy unifies a wealth of colorful tragicomic material—in a superb first novel by the Alabama storywriter (Last Days of the Dog-Men, 1996).
Central protagonist Finus Bates is the octogenarian editor of his hometown newspaper, The Mercury Comet, and sometime radio personality—and, through the long years of an unhappy marriage and unmitigated grief over his only son’s early death, the unfulfilled lover of Birdie Wells Urquhart, whom Finus has adored ever since he accidentally saw her naked many decades earlier. Watson sets their unaccomplished relationship within a roiling context that embraces such melodramatic local phenomena as the tomcatting prowess of Birdie’s unfaithful husband Earl and his appalling father Junius; the stunted growth to manhood of Parnell Grimes, inheritor of both his father’s funeral parlor and the persuasive rumor that the latter had prospered by “selling bodies and body parts to the Atomic Energy Commission”; and the secrets kept by Birdie’s resentful black housemaid Creasie and the latter’s spooky Aunt Vish, a healer and witch-woman whom Faulkner might have created. The Southern Gothic detail is both shuddery and deliciously absurd, but the real strength of the novel lies in its flexible structure, which allows us to overhear details of Mercury’s overheated history as pieced together by several involved observers, and in Watson’s delicate comprehension of the subtle gradations of aging and change as the years pass, Mercury’s people settle into the grooves life seems to have reserved for them, and the boundaries separating black from white, humans from animals, the living from the dead, appear to blur and dissolve. Finus and Birdie are marvelous creations, and Watson surrounds them with such agreeable grotesques as Parnell Grimes’s death-obsessed soulmate Selena Oswald and Mercury’s unofficial intellectual elder, morose, moribund Euple Scarbrough.
Southern storytelling is alive and well in Watson’s capable hands. An excellent debut.Pub Date: Aug. 1, 2002
ISBN: 0-393-04757-1
Page Count: 288
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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