Patient readers may appreciate this one.
Privileged teenager Yvonne must decide what to do with her future.
Yvonne has lost her passion for the violin...or she never had it to begin with. She’s unsure, but what is clear is that her longtime violin teacher has dropped her, and she feels lost. Yvonne’s mother left when she was little, and her famous chef father is rarely around and stoned most of the time. Feeling she has nothing to distinguish her—other than a passing compliment for her musical abilities from her childhood orchestra teacher—Yvonne is acutely aware of the fawning attention her father receives for his gifts. One day, strolling Venice Beach with her not-quite-official boyfriend, Warren, Yvonne is enraptured by two buskers. She’s especially taken by the violinist—handsome, dreadlocked Omar. After Warren prioritizes work on her 18th birthday, Yvonne begins hanging out with college-dropout Omar, whom she soon sleeps with, leading to complications. Yvonne engages in endless introspection, but her character feels flat, and the lack of forward momentum makes it difficult to sustain interest in her story. The musical theme does not ring true, and secondary characters are underdeveloped. The book takes on gentrification, double standards around female sexuality, and race (light-skinned Warren has a white father and identifies as black), but readers may long for more depth. All major characters are black, and Yvonne’s best friend has two moms.
Patient readers may appreciate this one. (Fiction. 14-18)Pub Date: Aug. 7, 2018
ISBN: 978-0-316-34905-5
Page Count: 288
Publisher: Little, Brown
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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