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ROOTED

THE AMERICAN LEGACY OF LAND THEFT AND THE MODERN MOVEMENT FOR BLACK LAND OWNERSHIP

A passionate, engaging combination of history, memoir, and examination of income inequality.

A well-documented study of land ownership among Black Americans and the accompanying land theft.

Land ownership in America has long been associated with trauma, going back to the early days of settler colonialism, slavery, and genocide. Baker asks, “What does it mean to reclaim that tainted history and desecrated land, land rightfully associated with trauma, to become not only a home but also a vehicle for equity?” The author chronicles her grandparents’ early stewardship of land in North Carolina before they were compelled to move north (to New Jersey) with the Great Migration. Seeking to return to their roots, however, Baker’s family eventually came back to North Carolina in 2012, when she was a teenager, and bought 86 acres. The author examines this trend within a broader historical context, beginning with the enormous strides in Black land ownership after the Civil War, when one in five Black heads of household had become property owners, a number that grew “exponentially” from 1870 to 1890. However, with Black ownership came the inevitable “whitewash.” Baker describes the (re)rise of white supremacy in places like Wilmington, where, in 1898, violence broke out, leading to voter intimidation and destruction of Black businesses. The violence forced Black citizens to flee, relinquishing ownership of land to whites. The author notes that the chaos in Wilmington created a “blueprint” for seizing Black property in subsequent riots in Tulsa and Atlanta. The Great Migration lured Black Americans northward to escape, yet by leaving the land, they grew increasingly impoverished. Baker investigates the “complicity” of the Department of Agriculture in allowing Black land theft, and she considers how Black and Indigenous groups have shared land trauma and worked together; the issue of reparations; and Hazel Johnson and the rise of the environmental justice movement.

A passionate, engaging combination of history, memoir, and examination of income inequality.

Pub Date: June 18, 2024

ISBN: 9780593447376

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 17, 2024

Kirkus Reviews Issue: May 15, 2024

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HIP-HOP IS HISTORY

Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.

A memorable, masterful history of the first 50 years of an indelible American art form.

While historians often cast themselves as omniscient in their works, delivering facts and stories as important without acknowledging the impact of their own experiences on the narrative process, Questlove—drummer, DJ, music historian, and author of Mo’ Meta Blues, Creative Quest, and Music Is History—is forthcoming about the fact that he experienced music differently as he grew older. “I wasn’t sitting down for five hours listening to them over and over and over again, trying to unpack every nuance from every corner,” he writes, recalling his feelings decades into his relationship with the genre. “But I was—I am—a DJ, which meant that I had a professional interest in excavating the songs that worked.” The author’s observations spanning the entirety of hip-hop’s history are consistently illuminating—e.g., connecting its shift in five-year increments to the dominant drug of the period, from crack to sizzurp to opioids. However, it’s his personal connection to certain eras that make his latest book stand out. Questlove considers the late 1980s and early ’90s as the “golden age of hip-hop, when innovative MCs and innovative DJs seemed to spring up every few months, and classic albums regularly sprouted on the vine.” That era—filled with masterpieces from Public Enemy, De La Soul, and N.W.A.—is universally revered, but Questlove also recognizes that it coincides with the years between high school and when he officially became an artist—a time when he was immersed in finding inspiration and understanding the construction of hip-hop. While the author’s knowledge of hip-hop is as deep as any musicologist, it’s his passion for certain artists and songs that sets him apart.

Questlove’s instincts as a superfan and artist take this history beyond the hype to something very special.

Pub Date: June 11, 2024

ISBN: 9780374614072

Page Count: 352

Publisher: AUWA/MCD

Review Posted Online: March 25, 2024

Kirkus Reviews Issue: May 1, 2024

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TILL THE END

Everything about Sabathia is larger than life, yet he tells his story with honesty and humility.

One of the best pitchers of his generation—and often the only Black man on his team—shares an extraordinary life in baseball.

A high school star in several sports, Sabathia was being furiously recruited by both colleges and professional teams when the death of his grandmother, whose Social Security checks supported the family, meant that he couldn't go to college even with a full scholarship. He recounts how he learned he had been drafted by the Cleveland Indians in the first round over the PA system at his high school. In 2001, after three seasons in the minor leagues, Sabathia became the youngest player in MLB (age 20). His career took off from there, and in 2008, he signed with the New York Yankees for seven years and $161 million, at the time the largest contract ever for a pitcher. With the help of Vanity Fair contributor Smith, Sabathia tells the entertaining story of his 19 seasons on and off the field. The first 14 ran in tandem with a poorly hidden alcohol problem and a propensity for destructive bar brawls. His high school sweetheart, Amber, who became his wife and the mother of his children, did her best to help him manage his repressed fury and grief about the deaths of two beloved cousins and his father, but Sabathia pursued drinking with the same "till the end" mentality as everything else. Finally, a series of disasters led to a month of rehab in 2015. Leading a sober life was necessary, but it did not tame Sabathia's trademark feistiness. He continued to fiercely rile his opponents and foment the fighting spirit in his teammates until debilitating injuries to his knees and pitching arm led to his retirement in 2019. This book represents an excellent launching point for Jay-Z’s new imprint, Roc Lit 101.

Everything about Sabathia is larger than life, yet he tells his story with honesty and humility.

Pub Date: July 6, 2021

ISBN: 978-0-593-13375-0

Page Count: 288

Publisher: Roc Lit 101

Review Posted Online: May 11, 2021

Kirkus Reviews Issue: June 1, 2021

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