The Master Storyteller returns to storytime at last.
A tribute to the storied lioness of the New York Public Library.
Raised in Baltimore on her grandmother’s tales, Augusta Braxton Baker (1911-1998) grew up with the deep certainty that stories are powerful. Powerful enough to make Augusta realize her true calling, “guiding children of all ages through the wide and wonderful spaces of her stories.” Powerful enough to bring her to the 135th Street Branch of the NYPL, where she introduced young readers such as James Baldwin and Audre Lorde to the words that would inspire them to write their own. Powerful enough to anchor Augusta’s lifelong advocacy for uplifting representations of Black people, to forge a network of educator activists from Carter G. Woodson to Charlemae Rollins, and to send Augusta around the world to teach and tell her stories. Intricate details will draw novice readers back to the pages, while more experienced readers will find a treasure trove of biographical sources. There’s thoughtfulness here in the craft and pacing of her prose, certainly; reverence, too, in the textured layers of Harrison’s mixed-media and visual storytelling. But more than anything, simple care is evident. Care for a Black librarian who sought out every gap a tale could bridge, who shattered barriers to ensure Black children would see themselves on library shelves, and whose legacy continues to this day exactly as it began—in the thrall of good stories.
The Master Storyteller returns to storytime at last. (author’s note, timeline, sources) (Picture-book biography. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9780593324202
Page Count: 40
Publisher: Dial Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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