An overcrowded modern romance equally inspired by ancient Greece and Glee.
A singer and a soldier boy re-enact and rework classic Greek myths in this lengthy series opener.
Daphne Raines loves her down-to-earth mother, Demi, and their safe haven in Ellis Fields, Utah. Nevertheless, she moves to Olympus Hills, Calif., with her estranged rock-star father, Joe Vince, in hopes of herself becoming a star. Likewise, Haden Lord wants to please his regal father, overcome his (slowly revealed) childhood trauma and regain his position in the Underrealm court, even if he has to go topside and persuade a girl to return with him to the land of the dead. Mirroring their alternating (and sometimes overlapping) narratives and music lessons, they first clash and then begin to harmonize in their shared adventure. While their fish-out-of water experiences would have been sufficient material for a first installment, Despain attempts to layer apocalyptic deadlines and a convoluted tale of the prophecied Cypher who can find the lost Key of Hades atop reinterpretations of the tales of Orpheus and Persephone. Daphne and Haden occasionally surprise, but they are ultimately a standard heroine and hero. Naturally and supernaturally attuned to the music of the world, Daphne is inexplicably and irritatingly special, while her counterpart, Haden, is darkly handsome as well as sensitive but scarred.
An overcrowded modern romance equally inspired by ancient Greece and Glee. (Paranormal romance. 12 & up)Pub Date: March 11, 2014
ISBN: 978-1-60684-247-8
Page Count: 512
Publisher: Egmont USA
Review Posted Online: Dec. 17, 2013
Kirkus Reviews Issue: Jan. 15, 2014
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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