Maybe it’s time for balloon stories to retire along with Frank
A lighter-than-air answer to that eternal question: Where do balloons go? Chicago.
Specifically, they end up with Frank, Chicago’s Nocturnal City Collection Custodian, who travels around the Windy City with a bouquet of specialized tools to retrieve lost balloons. Poor Frank is overworked and dreams of eventual replacement by a robot that might liberate him to enjoy Chicago in the daytime. At least this is the story that Zeke tells his little brother, Theo, after Theo lets go of the string of his new green balloon. Theo is so taken by the story that Zeke writes a message to Frank on his orange balloon, and then the brothers let it go as well. Malenfant uses a deliberately childlike style to illustrate this sweet flight of fancy, which celebrates storytelling, the bond between siblings and the wonder of a serendipitous connection, all at the same time. The image of lonely, hardworking Frank sitting in a deserted dugout with a few stray balloons says it all. But appealing as Theo, Zeke and the perhaps-fictitious Frank are, it’s hard not to wonder whether yet another story that celebrates releasing balloons is the best thing we could be doing for the world, particularly as Theo’s killjoy mother delivers a story that is probably closer to the truth than Zeke’s: that balloons probably pop as the air pressure changes, resulting in balloon fragments on the ground.
Maybe it’s time for balloon stories to retire along with Frank . (Picture book. 4-8)Pub Date: Oct. 1, 2013
ISBN: 978-1-4598-0324-4
Page Count: 32
Publisher: Orca
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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