by Bree Galbraith ; illustrated by Isabelle Malenfant ‧ RELEASE DATE: Oct. 1, 2013
Maybe it’s time for balloon stories to retire along with Frank
A lighter-than-air answer to that eternal question: Where do balloons go? Chicago.
Specifically, they end up with Frank, Chicago’s Nocturnal City Collection Custodian, who travels around the Windy City with a bouquet of specialized tools to retrieve lost balloons. Poor Frank is overworked and dreams of eventual replacement by a robot that might liberate him to enjoy Chicago in the daytime. At least this is the story that Zeke tells his little brother, Theo, after Theo lets go of the string of his new green balloon. Theo is so taken by the story that Zeke writes a message to Frank on his orange balloon, and then the brothers let it go as well. Malenfant uses a deliberately childlike style to illustrate this sweet flight of fancy, which celebrates storytelling, the bond between siblings and the wonder of a serendipitous connection, all at the same time. The image of lonely, hardworking Frank sitting in a deserted dugout with a few stray balloons says it all. But appealing as Theo, Zeke and the perhaps-fictitious Frank are, it’s hard not to wonder whether yet another story that celebrates releasing balloons is the best thing we could be doing for the world, particularly as Theo’s killjoy mother delivers a story that is probably closer to the truth than Zeke’s: that balloons probably pop as the air pressure changes, resulting in balloon fragments on the ground.
Maybe it’s time for balloon stories to retire along with Frank . (Picture book. 4-8)Pub Date: Oct. 1, 2013
ISBN: 978-1-4598-0324-4
Page Count: 32
Publisher: Orca
Review Posted Online: Aug. 27, 2013
Kirkus Reviews Issue: Sept. 15, 2013
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by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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