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WILDERS

The potential for some interesting ideas languishes in a half-built world populated with barely sketched characters.

The first of a near-future series about an uneasy balance between city and country.

Sisters Lou and Coryn Williams live in Seacouver, a vast megacity that incorporates Seattle, Vancouver, and the small cities in between. Desperately unhappy with city life for some ill-defined reason, their parents kill themselves in a mutual suicide pact, landing the teenagers in an orphanage (although the megacity is technologically advanced, their social services seem primitive). Lou is overjoyed when she scores a plum opportunity as a rewilder, a rehabilitator of environmental damage outside the city, but Coryn is devastated to lose her only family. For two years, Lou sends infrequent, blandly cheerful emails to Coryn. Determined to find both her sister and the truth, Coryn departs Seacouver as soon as she comes of age, accompanied by her personal robot Paula and a dangerous level of naiveté about the world Outside. On her journey, she encounters dangerous weather, some new friends, opportunists who want to kill her and steal her valuable robot, and zealots of various stripes and unclear motivations who pose a danger both to the city and the barely rewilded landscape. Cooper (Spear of Light, 2016, etc.) is an unfortunate devotee of the tell-not-show school. Key scenes happen offstage. The supposedly smart and seasoned Lou never realizes that her bosses are manipulating her into rash action. Everyone says how stifling it is to live in the city, how flawed it is, how hard it is to fit in, and how great the divide is between rich and poor, but the reader doesn’t spend enough substantive time in the city to see much evidence for these. Various factions jockey for power, but their motivations seem both too simple and too opaque. Perhaps more answers and complexity await in future volumes, but it doesn't seem promising.

The potential for some interesting ideas languishes in a half-built world populated with barely sketched characters.

Pub Date: June 13, 2017

ISBN: 978-1-63388-265-2

Page Count: 350

Publisher: Pyr/Prometheus Books

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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