An intimate book that starts small and expands steadily outward, with a cumulative effect both moving and hopeful.
Winner of a PEN Translates award and the first of Mexican author Lozano's works to appear in English, this novel assumes the shape of a diary kept by a young woman in Mexico City.
When her boyfriend, grieving his mother's death, leaves for Spain on a family trip, the unnamed narrator is left waiting for him to return. Before falling in love with Jonás, she suffered a serious accident in which she nearly died. Writing short entries in her diary, she details her quest to find the perfect notebook, muses on music she loves, and notes conversations with friends and books she's reading, the apartment she and Jonás share, the news. The deceptively simple structure—intimate, charming, informal—allows for a great range of ideas and observations that loop and recur. If you are in danger of drowning, she learns, swim not forward but diagonally. "How do you swim diagonally in life?" she wonders, feeling as if the shore keeps getting farther away. A writer, she enthusiastically references everything from Greek mythology and the Bible to Proust, Machado de Assis, Disney, and Shakira. She is fascinated by ideas of scale, by the concept of the ideal, by the epidemic of violence in Mexico, the history of writing, art, gossip, waiting. She observes the cat, Telemachus; goes out with friends; travels to writing conferences; wonders if Penelope masturbated while waiting for Odysseus. She tells about “The Most Important Artist in Mexico” and invents "notebook proverbs": "The man in a suit walks to work, but the omniscient narrator describes him." She is skeptical of "useful things. Useful work, useful thoughts, useful phrases. Stories in which everything happens. A society that worships the verb. The famous concept of utility, the pursuit of usefulness." "I worship the margins," she tells us, "the secondary, the useless." Because "the more useless something is, the more subversive." With a light, playful touch, Lozano richly layers scenes and details, connecting ideas and weaving her story like Penelope at her loom.
An intimate book that starts small and expands steadily outward, with a cumulative effect both moving and hopeful.Pub Date: June 15, 2021
ISBN: 978-1-9164-6564-0
Page Count: 184
Publisher: Charco Press
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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