A sophisticated young New Yorker returns unwillingly to her roots when her mother sends her for a summer with her grandmother Quanimina, who lives the traditional life of the Gullah off the Carolina coast. At home, ``Zarah'' (Sarah Jane)—gifted dancer, aspiring actor, and scholarship student—is about to enter the High School for the Performing Arts; with Quanimina, she's a rebel who ``shames'' her grandmother by wearing gaudy ornaments in her hair and making friends with Benicia, visiting granddaughter of an equally traditional white woman nearby. When Benicia invites Zarah to a party, Quanimina insists that Zarah act as a servant, as Benicia's grandmother has requested; Zarah plays the role to the hilt and then entertains the guests as her true self in a flamboyant dance, transforming her humiliation into triumph. Then, just as she and Quanimina are on the verge of understanding how each has ``shamed'' the other, Quanimina dies. Seabrooke (Judy Scuppernong, 1990) takes on a lot here and handles it with some skill. Spirited and likable, Zarah is a believable product of her complicated past, though some of the clues to it are a little late in coming. The conclusion—in another virtuoso acting performance, Zarah consummates the sale of Quanimina's island after her death (illegal but not immoral, since she's an heir)—is satisfyingly dramatic, though it does stretch credulity. Best of all, past and present mores are contrasted in an absorbing story where both are presented with acumen and sympathy. (Fiction. 10-15)
Pub Date: Sept. 1, 1992
ISBN: 0-525-65094-6
Page Count: 160
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
Tales that “lay out your options for painful and interesting ways to die.” And to live.
In a similarly hefty companion to Percy Jackson’s Greek Gods (2014), the most voluble of Poseidon’s many sons dishes on a dozen more ancient relatives and fellow demigods.
Riordan averts his young yarn spinner’s eyes from the sex but not the stupidity, violence, malice, or bad choices that drive so many of the old tales. He leavens full, refreshingly tart accounts of the ups and downs of such higher-profile heroes as Theseus, Orpheus, Hercules, and Jason with the lesser-known but often equally awesome exploits of such butt-kicking ladies as Atalanta, Otrera (the first Amazon), and lion-wrestling Cyrene. In thought-provoking contrast, Psyche comes off as no less heroic, even though her story is less about general slaughter than the tough “Iron Housewives quests” Aphrodite forces her to undertake to rescue her beloved Eros. Furthermore, along with snarky chapter heads (“Phaethon Fails Driver’s Ed”), the contemporary labor includes references to Jay-Z, Apple Maps, god-to-god texting, and the like—not to mention the way the narrator makes fun of hard-to-pronounce names and points up such character flaws as ADHD (Theseus) and anger management issues (Hercules). The breezy treatment effectively blows off at least some of the dust obscuring the timeless themes in each hero’s career. In Rocco’s melodramatically murky illustrations, men and women alike display rippling thews and plenty of skin as they battle ravening monsters.
Tales that “lay out your options for painful and interesting ways to die.” And to live. (maps, index) (Mythology. 10-14)Pub Date: Aug. 18, 2015
ISBN: 978-1-4231-8365-5
Page Count: 416
Publisher: Disney-Hyperion
Review Posted Online: July 21, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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