Deviating from traditional retellings of “The Three Little Pigs,” James, Marvin and Lester Pygg build one brick house together at the start of this lively, accessible fractured tale. Marvin and Lester, cleverly depicted reading a copy of the traditional book, suggest building with straw or sticks, but James insists on sturdy bricks to safeguard against hungry wolves. When Wilfong the wolf shows up, he huffs and puffs, but the Pyggs don’t let him in—and in a twist, he doesn’t let them out. Stubborn and hungry, he spies on the Pyggs, soon growing fond of them and of the food they compassionately share. After being slowly reformed and welcomed into the Pyggs’ friendship, Wilfong cooks a vegetarian pot pie (not a lupine pie, as the title suggests) and serves it to a “bunch of big bad wolves” lurking outside. Fooled, they agree to leave as long as they get his recipe. Callen’s humorous, vibrant multimedia art deftly matches the tone of Seabrooke’s amusing tale, resulting in a winning collaboration for independent readers ready to move on to meatier texts. (Early reader. 6-8)
Pub Date: June 1, 2010
ISBN: 978-0-547-04403-3
Page Count: 48
Publisher: Clarion Books
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A repressive teacher almost ruins second grade for a prodigy in this amusing, if overwritten, tale. Having shown a fascination with great buildings since constructing a model of the Leaning Tower of Pisa from used diapers at age two, Iggy sinks into boredom after Miss Greer announces, throwing an armload of histories and craft projects into the trash, that architecture will be a taboo subject in her class. Happily, she changes her views when the collapse of a footbridge leaves the picnicking class stranded on an island, whereupon Iggy enlists his mates to build a suspension bridge from string, rulers and fruit roll-ups. Familiar buildings and other structures, made with unusual materials or, on the closing pages, drawn on graph paper, decorate Roberts’s faintly retro cartoon illustrations. They add an audience-broadening element of sophistication—as would Beaty’s decision to cast the text into verse, if it did not result in such lines as “After twelve long days / that passed in a haze / of reading, writing and arithmetic, / Miss Greer took the class / to Blue River Pass / for a hike and an old-fashioned picnic.” Another John Lithgow she is not, nor is Iggy another Remarkable Farkle McBride (2000), but it’s always salutary to see young talent vindicated. (Picture book. 6-8)
Pub Date: Oct. 1, 2007
ISBN: 978-0-8109-1106-2
Page Count: 32
Publisher: Abrams
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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