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TWO TOGETHER

From the Brendan Wenzel series

A masterful consideration of perception, exploration, and, ultimately, love.

Seeming simplicity yields rich rewards in this sensory-steeped tale of adventure and friendship.

Color-sapped outlines of a wilderness kick off this tale of a dog and cat traveling together. “Two together headed home. / Cat and dog. / Bell and Bone. / For a moment. For a day. // Two together on their way.” After they peek at their reflections in the water, different artistic styles are used in the following pages to depict each animal; the dog is rendered in curved acrylics, the cat in spiky colored pencil. Sometimes the very page splits in two, one side portraying the dog’s perceptions and the other the cat’s. After a toad waylays them, they encounter a bear, a cave, and a rainstorm. As night falls, the colors grow deep and sumptuous, and home appears like a beacon. Inside, the two are now more rendered more realistically and in more detail than ever before. That is, until they go out again to prowl the night. Featuring the singsong nature of some of the best nursery rhymes, the tale reads with an effortless lilting quality, gently rhyming. Yet it’s the art that’s the showstopper here, and one wonders if the two are crispest in the home because we’re seeing them the way their human owner does. What is unquestionable is the friends’ affection for each other, the pair sticking side by side through thick and thin.

A masterful consideration of perception, exploration, and, ultimately, love. (Picture book. 3-6)

Pub Date: April 23, 2024

ISBN: 9781797202778

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE PIGEON HAS TO GO TO SCHOOL!

From the Pigeon series

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.

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All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.

Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.

Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)

Pub Date: July 2, 2019

ISBN: 978-1-368-04645-9

Page Count: 40

Publisher: Hyperion

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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