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GOOD DAD DIEGO

A look at the many hats fathers wear, best for dog lovers.

Diego has “one of the toughest jobs in the world”: dad.

Diego is one photogenic pug, posed against white backgrounds with a few props while wearing hats signifying different jobs. In a photo of Diego in a police cap, a knocked-over plant and police-line tape on the verso, the text reads: “Sometimes, he has to be ‘The Law.’ / ‘Stop digging up the plants!’ / ‘No pooping on the floor!’ / ‘Don’t eat cat barf.’ ” Other jobs Diego fulfills include cook, nurse, and fix-it guy. But most of all, Diego wants to be a good dad, cleaning the dishes, doing the laundry, mopping, and acting as a role model. A large part of the humor in this book is the juxtaposition of the text with the photos of Diego’s wrinkly face. Diego sets an example by always wearing his winter hat in the cold: “I look like an elf.” Yes, a grumpy, rather chagrined one. While Diego lacks the sophistication of William Wegman’s Weimaraners, he perfectly embodies the feelings of dads everywhere as, after being “Dad”ed for the 12th time, Diego, front legs splayed and chin on the floor, responds, “That’s me.” Maloney and Kennedy miss an opportunity to show fatherhood in action, though: Diego never interacts with his pup, who’s only shown on one spread, albeit five times—or perhaps that’s five puppies, each shown once.

A look at the many hats fathers wear, best for dog lovers. (Picture book. 3-7)

Pub Date: April 9, 2019

ISBN: 978-0-451-48126-9

Page Count: 40

Publisher: Viking

Review Posted Online: March 11, 2019

Kirkus Reviews Issue: April 1, 2019

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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