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VLADIMIR NABOKOV

THE AMERICAN YEARS

Magnificent last volume of Boyd's critical biography of Vladimir Nabokov (Vladimir Nabokov: The Russian Years, 1990). What comes through here even more strongly than in volume one is not only a new Nabokov, a masterly teacher-scholar-poet- critic-translator-scientist, but also a human being and novelist not to be confused with his own heroes such as Humbert Humbert or Van Veen any more than Shakespeare should be seen as Lear, Hamlet, or Macbeth. Nabokov, though, is widely seen as a supreme narcissist, even by sympathetic readers—but no longer. Boyd revises everything, all of our misreadings and received ideas, and especially those passed on by Andrew Field's apparently insensitive biographies and commentaries. Everywhere throughout this biography fearful literary folk find themselves in the presence of a self-assured man of simple warmth and friendliness, full of fun and understanding, kindness and courtesy, who appreciates ``the intelligent and observant people who bring me fruit and wine, or come to repair radiators and radios.'' Boyd also takes on the Edmund Wilson/Nabokov feud over Nabokov's 13- year, four-volume work on Pushkin's Eugene Onegin—and Wilson fares badly. As Nabokov rises from destitution to world fame, his each work is taken apart here at great length, much as Nabokov would dissect butterfly genitalia, to get at its aesthetic bliss. A small woman, Vera Nabokov often comes through as seen through Vladimir's eye (he was besotted with his wife to his last breath) as she grapples with the herculean labors of typing up his longhand index cards and keeping up with his colossal business needs in a hydra-growth of languages and countries. After Lolita, contracts flood in and the author finds himself working on five books while composing a sixth in his head. What this biography will do for Nabokov can only be guessed. But for the reader it will awaken a great block of humanity. (Photographs—not seen.)

Pub Date: Sept. 1, 1991

ISBN: 0-691-06797-X

Page Count: 735

Publisher: Princeton Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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