The power of nature captivates and compels in this phenomenal tale of pushing limits.
Caldecott Medalist Floca and Hans Christian Andersen Award–winning illustrator Smith tell the story of two youngsters braving a gale.
While their parent collects laundry that has flown off the line, the children—presumably siblings—walk away. “Now take my hand / and we’ll go see / the sea before the storm.” At first that seems the beginning and ending of their adventure as they stand on worn stones watching the waves “SMASH on the rocks and EXPLODE into spray.” Then something compels the kids to continue. “You pull on me, I pull on you, and we decide to go on,” the author repeats in what feels like a chant. Only too late do the siblings realize that they’ve gone too far; they race for home through the rapidly approaching dark and rain, toward light and warmth and their relieved parent. Smith’s impressionistic watercolor and gouache illustrations convey not simply the horrifying strength of the storm, but also the way the light of day changes and shifts throughout the kids’ walk. The images plunge readers into heart-stopping moments, rendered real thanks to Floca’s incredibly evocative wordplay, capable of eliciting both fear and comfort. Readers will experience this tempest alongside the characters, every step of the way. Yet the true heart and soul of the book resides in the siblings’ relationship as they weather the weather—and more—together. The characters are light-skinned.
The power of nature captivates and compels in this phenomenal tale of pushing limits. (Picture book. 4-8)Pub Date: July 22, 2025
ISBN: 9780823456475
Page Count: 48
Publisher: Neal Porter/Holiday House
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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