Essential reading about essential workers that is informative, reassuring, and positive.
An award-winning New York City author/illustrator thanks all the risk-taking essential workers.
In the first days, weeks, and months of the Covid-19 pandemic, life on city streets changed from busy congestion to an eerie quiet. Two children, looking concerned, gaze out from their apartment-house window at a strangely empty scene. Almost the only souls about are delivering food on bikes, hauling flats in supermarkets, or driving buses, trains, and taxis. Sanitation workers, letter carriers, and utility workers continue their work on and under the streets. Firefighters, police officers, and hospital workers are busy. Diverse apartment-house dwellers play their appreciative part, though. Every evening at 7:00 they erupt into a cacophony: noisily cheering, banging pots, and blowing musical instruments. “We are here together.” The narration is in the voice of a very observant child who has not lost their sense of humor, voicing some doubts about a nonessential online purchase. A community spirit shines in the use of we. Floca’s signature illustrations offer meticulously detailed renditions of city buildings and a wide assortment of urban vehicles. Everyone is properly masked. The evening cheers have stopped, but the gratitude has not. The story was first developed as a YouTube video, and here the sound effects are missing, but they can be easily and enthusiastically added by young readers. (This book was reviewed digitally with 10-by-18-inch double-page spreads viewed at 64.9% of actual size.)
Essential reading about essential workers that is informative, reassuring, and positive. (author's note) (Picture book. 4-8)Pub Date: April 27, 2021
ISBN: 978-1-5344-9377-3
Page Count: 40
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
PERSPECTIVES
Lovely illustrations wasted on this misguided project.
The Celebrate the World series spotlights Lunar New Year.
This board book blends expository text and first-person-plural narrative, introducing readers to the holiday. Chau’s distinctive, finely textured watercolor paintings add depth, transitioning smoothly from a grand cityscape to the dining room table, from fantasies of the past to dumplings of the present. The text attempts to provide a broad look at the subject, including other names for the celebration, related cosmology, and historical background, as well as a more-personal discussion of traditions and practices. Yet it’s never clear who the narrator is—while the narrative indicates the existence of some consistent, monolithic group who participates in specific rituals of celebration (“Before the new year celebrations begin, we clean our homes—and ourselves!”), the illustrations depict different people in every image. Indeed, observances of Lunar New Year are as diverse as the people who celebrate it, which neither the text nor the images—all of the people appear to be Asian—fully acknowledges. Also unclear is the book’s intended audience. With large blocks of explication on every spread, it is entirely unappealing for the board-book set, and the format may make it equally unattractive to an older, more appropriate audience. Still, readers may appreciate seeing an important celebration warmly and vibrantly portrayed.
Lovely illustrations wasted on this misguided project. (Board book. 4-8)Pub Date: Dec. 11, 2018
ISBN: 978-1-5344-3303-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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