by Brian Merchant ‧ RELEASE DATE: Sept. 5, 2023
A well-argued linkage of early industrial and postindustrial struggles for workers’ rights.
A history of the 19th-century revolutionaries who fought against the machine.
In 1812, writes Merchant, the author of The One Device, British workers watched as power looms began to displace them, then rose up in a movement named after a young rebel named Ned Ludd, leading the UK to “the brink of civil war.” Two centuries later, advanced digital technology in the hands of capitalists threatens human livelihoods in many fields, occasion for a new Luddite revolt. Merchant chronicles how the British militants didn’t necessarily object to labor-saving devices, but instead to how they were used—namely, to enrich a small handful of industrialists at the expense of a great mass of skilled workers. Indeed, Merchant adds, when textile workers asked that a machine be put in place to measure thread count, an index of quality, the owners refused, “preferring to retain the unilateral power to determine the quality of a garment themselves, and to offer workers the prices they approved of.” Under such conditions, weavers’ wages fell by nearly half between 1800 and 1811, good reason for protest. At times, those demonstrations turned violent, with factories burned and one particularly hated capitalist murdered. Some reforms ensued, but the supremacy of the bosses endured. Just so, Merchant writes compellingly, while today’s gig workers may object to the whims of employers who offer few benefits and jobs that “are subject to sudden changes in workload and pay rates,” it seems unlikely that those bosses will change their ways short of a mass uprising. After all, Merchant charges, Jeff Bezos determined that it was cheaper to keep emergency technicians on hand to treat heatstroke rather than air-condition some of his warehouses. “And since Amazon does it,” writes the author, “everyone else must make their employees machinelike as well, if they hope to keep pace.”
A well-argued linkage of early industrial and postindustrial struggles for workers’ rights.Pub Date: Sept. 5, 2023
ISBN: 9780316487740
Page Count: 496
Publisher: Little, Brown
Review Posted Online: Aug. 11, 2023
Kirkus Reviews Issue: Sept. 1, 2023
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edited by Brian Merchant & Claire L. Evans
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New York Times Bestseller
by Walter Isaacson ‧ RELEASE DATE: Sept. 12, 2023
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
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A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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by Walter Isaacson with adapted by Sarah Durand
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BOOK TO SCREEN
by Masha Gessen ‧ RELEASE DATE: June 2, 2020
Gessen is a Suetonius for our time, documenting the death of the old America while holding out slim hope for its restoration.
The National Book Award winner delivers a handbook for an age in which egomania is morphing into autocracy at warp speed.
New Yorker contributor Gessen, an immigrant from what was then the Soviet Union, understands totalitarian systems, especially the ways in which, under totalitarian rule, language is degraded into meaninglessness. Today, writes the author, we are “using the language of political disagreement, judicial procedure, or partisan discussion to describe something that was crushing the system that such terminology was invented to describe.” Against that, Gessen suggests, we now have an administration for which words hold no reality, advancing the idea that “alternative facts” are fine but professing dismay when one calls them lies. The step-by-step degradation of democratic institutions that follows is a modern-day rejoinder to the fact that more than half a dozen years separated the Reichstag fire from World War II. That’s a big buffer of time in which to admit all manner of corruption, and all manner of corruption is what we’ve been seeing: Gessen reminds us about Mick Mulvaney’s accepting handsome gifts from the payday-loan industry he was supposed to regulate and Ben Carson’s attempt to stock his office with a $31,000 dining-room set. Yet corruption’s not the right word, writes the author, since Trump and company are quite open and even boastful about what used to be a matter of shame and duplicity. The real tragedy, it seems, is that they have been so successful in creating what the author calls a “new, smaller American society,” one that willfully excludes the Other. Many writers have chronicled the Trump administration’s missteps and crimes, but few as concisely as Gessen, and her book belongs on the shelf alongside Timothy Snyder’s On Tyranny and Amy Siskind’s The List as a record of how far we have fallen.
Gessen is a Suetonius for our time, documenting the death of the old America while holding out slim hope for its restoration.Pub Date: June 2, 2020
ISBN: 978-0-593-18893-4
Page Count: 240
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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