These dark, witty, and occasionally mournful stories will thoroughly satisfy readers looking for creative new dystopias.
Dispatches from the hyperconnected, hypersurveilled future.
The editors of this SF anthology bill it as a “full, visceral, and vital portrait of a world in rapid evolution,” and in many ways the collection delivers on that promise. Like all the best science fiction, these stories look at our present through the lens of some possible futures. Key themes emerge, including surveillance capitalism, artificial intelligence, and climate change. The world we see here is hyperconnected and yet uber-alienating, full of potential for ever shinier tech but lacking much opportunity for genuine, joyful humanity to thrive. There are some brilliant, haunting stories—a gonzo sendup of corporate culture ("Earth's Most Customer-Centric Company" by Kevin Nguyen), a minithriller about a smart-home assistant with a mind of its own ("Warning Signs" by Emily J. Smith), a time-travel tale about the gentrification of the past ("Trojan Horses" by Jess Zimmerman), a too-close-to-home parable about aliens who arrive on Earth as refugees ("The Wretched and the Beautiful" by E. Lily Yu). There’s also some invigorating experimentation with form, including fiction in the form of operating instructions ("Hysteria" by Meg Elison), school paperwork ("Exemption Packet" by Rose Eveleth), text messages ("U Wont Remember Dying" by Russell Nichols), and a simple list ("An Incomplete Timeline of What We Tried" by Debbie Urbanski). The dystopian realities of social media and late-stage capitalism are everywhere, with a ghost becoming a backdrop for selfies ("Ernest" by Geoff Manaugh), soldiers livestreaming from the front lines ("Headshot" by Julian Mortimer Smith), thousands of people lining up to toil meaninglessly in "entropy mills" ("Busy" by Omar El Akkad), and financial advisers pitching the zombie apocalypse as an investing opportunity ("Zombie Capitalism" by Tobias Buckell). Overall, this collection presents a sort of paranoid/defiant vision of the future in which everything and everyone is for sale but almost everything of value has been lost. Don’t look here for (much) hope, but do read these short, biting, vibrant stories for their wit, inventiveness, and verve.
These dark, witty, and occasionally mournful stories will thoroughly satisfy readers looking for creative new dystopias.Pub Date: Aug. 16, 2022
ISBN: 978-0-3746-0266-6
Page Count: 496
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Unrelenting, and not in a good way.
A young Navarrian woman faces even greater challenges in her second year at dragon-riding school.
Violet Sorrengail did all the normal things one would do as a first-year student at Basgiath War College: made new friends, fell in love, and survived multiple assassination attempts. She was also the first rider to ever bond with two dragons: Tairn, a powerful black dragon with a distinguished battle history, and Andarna, a baby dragon too young to carry a rider. At the end of Fourth Wing (2023), Violet and her lover, Xaden Riorson, discovered that Navarre is under attack from wyvern, evil two-legged dragons, and venin, soulless monsters that harvest energy from the ground. Navarrians had always been told that these were monsters of legend and myth, not real creatures dangerously close to breaking through Navarre’s wards and attacking civilian populations. In this overly long sequel, Violet, Xaden, and their dragons are determined to find a way to protect Navarre, despite the fact that the army and government hid the truth about these creatures. Due to the machinations of several traitorous instructors at Basgiath, Xaden and Violet are separated for most of the book—he’s stationed at a distant outpost, leaving her to handle the treacherous, cutthroat world of the war college on her own. Violet is repeatedly threatened by her new vice commandant, a brutal man who wants to silence her. Although Violet and her dragons continue to model extreme bravery, the novel feels repetitive and more than a little sloppy, leaving obvious questions about the world unanswered. The book is full of action and just as full of plot holes, including scenes that are illogical or disconnected from the main narrative. Secondary characters are ignored until a scene requires them to assist Violet or to be killed in the endless violence that plagues their school.
Unrelenting, and not in a good way.Pub Date: Nov. 7, 2023
ISBN: 9781649374172
Page Count: 640
Publisher: Red Tower
Review Posted Online: Jan. 20, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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