Sweet and apt, but slight. For another, more artful ursine exploration of the same question, try Sam McBratney and Anita...
A day of outdoor fun prompts a big question to Momma Bear from her two young cubs.
Cub Jacob tags Momma—"You're it!"—and the game is afoot. These bears are reasonably shaggy but anthropomorphic; Momma wears a large red-and-white apron, Jacob's in a bright blue sweater, and his sister Casey has on a red dress. Jacob throws Momma a curve when he suddenly asks, "Who do you love best?" Casey wants to know the answer to this as well. Momma answers slowly. She loves the way that Jacob makes art, and how Casey dances and that both of them make her laugh. The children make funny faces until they send themselves into gales of helpless laughter, but when that subsides, they come back at Momma with the same question. She thinks a bit before tackling it again. "You're both a part of me,…like my paws. How can I love one of my paws more than the other?" She needs them both. Or maybe they're like her legs or her arms. She needs both her arms to give them big hugs. At last the cubs get it: Momma Bear loves them both the best. She scoops them up in a big hug. "With all my heart," she says. The bright illustrations and extra-sturdy pages suit a very young readership, as does the accessible prose.
Sweet and apt, but slight. For another, more artful ursine exploration of the same question, try Sam McBratney and Anita Jeram's You're All My Favorites (2004). (Picture book. 3-5)Pub Date: Sept. 1, 2012
ISBN: 978-1-58925-648-4
Page Count: 24
Publisher: Tiger Tales
Review Posted Online: July 31, 2012
Kirkus Reviews Issue: Aug. 15, 2012
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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