Wrapped in the chiaroscuro of film noir, kids will forget they are learning to read, focusing instead on the comic bits,...
In five chapters spanning almost 200 pages, Selznick—here working with husband Serlin—manages to do for the early reader what he accomplished with the picture book: reinvent it.
The narrative unfolds in finely wrought, crosshatched compositions drawn in pencil and introducing the color red to reward readers as they hunt for stolen objects alongside the pint-sized simian detective. Though he’s as successful as his hard-boiled, cinematic counterparts, Baby Monkey is still a youngster, so after each client arrives for consultation, he playfully peers through his magnifying glass, scribbles findings, nibbles snacks, and attempts to dress himself. This structure provides the repetition that, when paired with brief sentences, visual clues, a large typeface, and clear dialogue bubbles, serves the format extremely well. Impish expressions and oversized trousers will amuse the audience throughout each of the several-page wardrobe sequences. Preceding each knock on the door is an office “scene change” inviting viewers to analyze objects and predict the visitor’s identity; for example, and in a nod to The Invention of Hugo Cabret, the iconic image from Georges Méliès’ A Trip to the Moon heralds an astronaut. An oversized bonnet and dress shroud the final guest in mystery until the loving denouement. Not to be missed are the sendups of a bibliography and index, and adult readers will enjoy the visual keys to the clues planted in Baby Monkey’s office.
Wrapped in the chiaroscuro of film noir, kids will forget they are learning to read, focusing instead on the comic bits, persistence, and vulnerability of an endearing hero. (Early reader. 4-9)Pub Date: Feb. 27, 2018
ISBN: 978-1-338-18061-9
Page Count: 192
Publisher: Scholastic
Review Posted Online: Nov. 21, 2017
Kirkus Reviews Issue: Dec. 15, 2017
PERSPECTIVES
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...
Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.
Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.
Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)Pub Date: Aug. 22, 2017
ISBN: 978-1-4424-0298-0
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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