None
A fervent admirer of Houdini, ten-year-old Victor tries to emulate his feats, but to no avail: getting out of locked trunks and holding his breath for 5000 seconds are beyond his powers. Spying Houdini himself in a railroad station, he begs for his secrets and is promised a letter. Eventually, it arrives: ``A thousand secrets await you. Come to my house....'' But it's the day of Houdini's death; the grieving widow hands Victor a locked box with the initials E.W. Unable to open the box, and concluding that it couldn't have belonged to the great magician anyway, Victor forgets it until years later when, playing baseball with his son Harry, the ball happens to land on Houdini's grave and he learns his original name: Ehrich Weiss. And that night, Victor at last succeeds in escaping from his grandmother's trunk. Selznick illustrates his first book with vigorous, carefully composed b&w drawings; his faces express emotion with subtlety and quiet humor. The offbeat story is smoothly told; whether children will be pleased by the understated denouement with its ghostly overtones remains to be seen. In any case, it's an interesting debut, handsomely produced. A historical note is appended. (Fiction/Young Reader. 6-10)
None NonePub Date: April 1, 1991
ISBN: 0-679-81429-9
Page Count: 64
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1991
SEEN & HEARD
At ``Step 2'' in the useful ``Step into Reading'' series: an admirably clear, well-balanced presentation that centers on wolves' habits and pack structure. Milton also addresses their endangered status, as well as their place in fantasy, folklore, and the popular imagination. Attractive realistic watercolors on almost every page. Top-notch: concise, but remarkably extensive in its coverage. A real bargain. (Nonfiction/Easy reader. 6-10)
Pub Date: April 1, 1992
ISBN: 0-679-91052-2
Page Count: 48
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
BOOK REVIEW
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
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