An occasionally muddled, overambitious foray into an X-Men–like universe.
Kids the system has given up on acquire power of their own in Thompson’s (The Anarchists, 2012, etc.) YA debut sci-fi thriller, the first in a series set among students at an alternative high school.
Jason Champion suffers from ADHD and rage blackouts. After he breaks a student’s jaw in a fight he doesn’t remember, he lands at Regional Education and Guidance Collective Training high school for the last two weeks of his freshman year. R.E.G.C.T., colloquially known as “Reject High,” is a dumping ground for students the district would prefer to forget; having just reopened after a student’s on-site suicide, the school’s slated for demolition during the summer. Jason strikes up a friendship with goth girl Rhapsody Lowe. While playing hooky in the same restroom where Cherish Watkins killed herself, they’re almost caught by an armed Student Resource officer who patrols the halls. In fact, they should have been caught—Jason knows the cop looked right at him but didn’t seem to see him. Mystified, he grills Rhapsody as they serve detention together for kissing in the cafeteria. She reveals that she has powers of invisibility, thanks to a bright green crystal found in the school’s basement. When she gives Jason a prism made of the same material, he develops powers of his own: superhuman strength and incredible jumping ability. Soon, they’re pursued by unknown adversaries who want to protect “the source.” Thompson attempts to address serious issues, such as mental illness, bullying and victim-blaming (Jason’s love interest, Sasha, was kicked out of her previous school because a boyfriend taped them having sex and circulated it online), but the book’s overextended breadth doesn’t suit the story well. However, once the superpowers and villainous conspiracies show up, these topics fade into the background in favor of chase scenes and portentous bad-guy speeches. Still, it’s refreshing to read a YA novel with main characters of color whose race isn’t the focus. Though little is wrapped up in this entry in the series, potential remains for later books to better develop the lore of the strange crystals.
An occasionally muddled, overambitious foray into an X-Men–like universe.Pub Date: June 13, 2013
ISBN: 978-0989105606
Page Count: 270
Publisher: Great Nation Publishing
Review Posted Online: June 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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