An occasionally muddled, overambitious foray into an X-Men–like universe.
Kids the system has given up on acquire power of their own in Thompson’s (The Anarchists, 2012, etc.) YA debut sci-fi thriller, the first in a series set among students at an alternative high school.
Jason Champion suffers from ADHD and rage blackouts. After he breaks a student’s jaw in a fight he doesn’t remember, he lands at Regional Education and Guidance Collective Training high school for the last two weeks of his freshman year. R.E.G.C.T., colloquially known as “Reject High,” is a dumping ground for students the district would prefer to forget; having just reopened after a student’s on-site suicide, the school’s slated for demolition during the summer. Jason strikes up a friendship with goth girl Rhapsody Lowe. While playing hooky in the same restroom where Cherish Watkins killed herself, they’re almost caught by an armed Student Resource officer who patrols the halls. In fact, they should have been caught—Jason knows the cop looked right at him but didn’t seem to see him. Mystified, he grills Rhapsody as they serve detention together for kissing in the cafeteria. She reveals that she has powers of invisibility, thanks to a bright green crystal found in the school’s basement. When she gives Jason a prism made of the same material, he develops powers of his own: superhuman strength and incredible jumping ability. Soon, they’re pursued by unknown adversaries who want to protect “the source.” Thompson attempts to address serious issues, such as mental illness, bullying and victim-blaming (Jason’s love interest, Sasha, was kicked out of her previous school because a boyfriend taped them having sex and circulated it online), but the book’s overextended breadth doesn’t suit the story well. However, once the superpowers and villainous conspiracies show up, these topics fade into the background in favor of chase scenes and portentous bad-guy speeches. Still, it’s refreshing to read a YA novel with main characters of color whose race isn’t the focus. Though little is wrapped up in this entry in the series, potential remains for later books to better develop the lore of the strange crystals.
An occasionally muddled, overambitious foray into an X-Men–like universe.Pub Date: June 13, 2013
ISBN: 978-0989105606
Page Count: 270
Publisher: Great Nation Publishing
Review Posted Online: June 1, 2013
Review Program: Kirkus Indie
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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