A boy who lives in the countryside gets a glass globe of the city where his grandmother lives as a birthday gift. Readers can see right away that it’s a magical globe, as it hovers over his nightstand next to Grandma’s picture. When he awakes in the middle of the night, he hooks his fishline on to the full moon and it pulls him to the city. There, “swooping roller coasters” twist among the skyscrapers, the zoo finds monkeys blowing bubbles and ostriches licking lollipops, and the lions prance and strut in front of the library. He asks the dancing ladies and the cowboys on motorcycles about his Grandma, but each time “the moon lifted me away before I got an answer.” Finally, at the great green lady in the harbor, he finds her sitting atop an elephant and she wishes him a happy birthday. The next morning, he peers inside his crystal globe and sees her—on the back of the elephant. Glowing edges and the melted texture of dreamscapes form this New York City, not black and white so much as shadowy and misty grays done in graphite or chalk. Add this to the ever-growing pantheon of evocative picture books that take New York as their theme and as their heart. (Picture book. 4-8)
Pub Date: May 8, 2001
ISBN: 0-385-32792-7
Page Count: 32
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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