by Brian Wilson with Ben Greenman ‧ RELEASE DATE: Oct. 11, 2016
As a study in creativity, superb, though as memoir, partial and a touch reluctant. Whatever the case, essential for any...
Everyone’s favorite musical mad scientist reveals a troubled yet hopeful life.
Famously, as depicted in the recent film Love & Mercy, Wilson stopped touring with his band, the Beach Boys, after suffering a panic attack while on a flight to Houston in 1964. He did not retreat—not yet, anyway—from music, spending the next year thinking about what kinds of songs he wanted to write and whether pop had any sonic boundaries beyond which one could not travel. “I couldn’t really think of any limits,” he writes, and so emerged “Pet Sounds,” “Good Vibrations,” “California Girls,” and other resonant wonders. At the same time, and ever since, Wilson has battled mental illness, a malady with a clear genetic lineage, as well as the effects of abuse at the hands of his father, his psychiatrist, and the less angelic voices in his head. Chasing down his sonic visions is a matter that Wilson treats with some mystery. As he writes, he saw bits and pieces of melody go swimming by like goldfish: “They dart one way and you see a little flash of orange, but you don’t really know whether they’re coming or going.” Wilson writes as he speaks, haltingly and with a kind of sideways hesitancy born, he tells it, from being deafened by a blow from his father’s fist—which has had one salutary effect, though giving him a lopsided appearance, namely that he writes in mono: “I can only hear out of one side, which means that it’s already mixed down.” Readers seeking a tell-all will find instead delicate, thoughtful reflections on how music is made as well as wistful remembrances of Wilson’s dead brothers and band mates Carl and Dennis. When the usual villain of the Beach Boys story, Mike Love, is mentioned, it is only briefly, and then usually in connection to some legal action or another.
As a study in creativity, superb, though as memoir, partial and a touch reluctant. Whatever the case, essential for any Beach Boys fan.Pub Date: Oct. 11, 2016
ISBN: 978-0-306-82306-0
Page Count: 336
Publisher: Da Capo
Review Posted Online: Aug. 1, 2016
Kirkus Reviews Issue: Aug. 15, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Jack Weatherford ‧ RELEASE DATE: March 2, 2004
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
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