Bumpy in spots, but on the whole, a relatable tale of friendship and self-discovery.
When the bus she’s been living in with her dad and yoga-influencer mom breaks down after two years on the road, 10-year-old Lindy longs to set down roots in San Jose.
Lindy and her family started their travel adventure after her dad quit his job as a software engineer to avoid “melting down faster than a computer with no fan.” Her mom is “trying to life-coach through lifestyle,” generating content as she poses in front of scenic vistas in national parks and curating flawless images of their #lifeontheroad for Instagram. But life isn’t picture-perfect; Lindy’s frustrated with the way her parents, especially her mom, seem more interested in how things look than how she feels: “Sometimes it feels like those invisible people are more important to her than anything else. Including me.” When new friends Dasha and May introduce her to skateboarding, Lindy finally feels like she’s found something just for her. With lined pages, a loose handwriting-style font, and sketches throughout, the book’s design mimics a journal, immersing readers in Lindy’s struggles. Though Lindy’s voice is a bit inconsistent—at times she feels alternately older and younger—overall, it rings true; her frustrations and triumphs will resonate with young people. Physical descriptors are minimal. Final art not seen.
Bumpy in spots, but on the whole, a relatable tale of friendship and self-discovery. (map) (Fiction. 8-12)Pub Date: June 17, 2025
ISBN: 9780593707814
Page Count: 192
Publisher: Knopf
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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