by Britta Teckentrup ; illustrated by Britta Teckentrup ‧ RELEASE DATE: Sept. 22, 2020
Exciting artwork paired with disappointingly dull text.
Rhyming verses about kindness using a consistent metaphor of widening cracks versus blooming plants are amplified by cutouts on each page.
The art and layout are spectacular, from the cover through the double-page spreads near the end. Racially diverse toddlers are shown engaging in various moods and behaviors, some of which create unhappiness and some of which lead to friendship and happiness. Every page’s color palette and composition perfectly complement the narrative. The initial verso shows two children in aggressive stances, backgrounded by a dark, partly moonlit sky. Between them is a slender, crooked cutout. The large-type text reads: “It all / starts / with a / crack / that we can hardly see. / It happens when we shout / or if we disagree.” The recto shows two children in sunlight, with one offering a pretty leaf to the other, and the rhyme addresses the good that grows from kindness. In this image, the crooked die cut forms the trunk of a tiny sapling. Until the final double-page spreads, the art follows this clever setup: dark deeds and a crack on the left, and good deeds and a growing tree on the right. Unfortunately, the text is far from the equal of the art: It is banal and preachy, and it does not even scan well without some effort on the part of whomever is reading it. Still, the youngest children will solemnly agree with the do’s and don’ts, and they may decide to memorize a page or two.
Exciting artwork paired with disappointingly dull text. (Picture book. 3-5)Pub Date: Sept. 22, 2020
ISBN: 978-1-68010-229-1
Page Count: 32
Publisher: Tiger Tales
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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by Tom Percival ; illustrated by Tom Percival
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by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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