by Brooke Hartman ; illustrated by Kathryn Carr ‧ RELEASE DATE: Oct. 20, 2020
Too much fairy tale and too little biography.
The story of groundbreaking animator Lotte Reiniger.
“Long before a cartoon mouse, / Or Snow White found a little house, / There was a girl named Charlotte.” No geography or dates are noted—this White girl named Lotte could be growing up anywhere. Lotte loves cinema; it’s magic to her. She wants to create it herself. Using scissors, paper, and string, she snips out fairy-tale puppets—“Cinderella, always sweeping. / A beauty in a castle, sleeping”—and, with a camera, a lamp, and a pane of glass, she invents a form of stop-motion animation. Reiniger becomes a groundbreaking artist and filmmaker. Carr’s artwork echoes Reiniger’s style, highlighting crisp, black silhouettes. Hartman tucks rhyming verse between unrhymed lines, making for an awkward read-aloud: “At last, Lotte was ready for the cinema. / Ready for magic! / Her paper puppets danced and swayed. / Music played a serenade. / Lights wink-wink-winked.” A single illustration of Reiniger’s multiplane camera doesn’t explain its workings (backmatter does); disappointingly, Reiniger is framed more as magic-maker than brilliant artist and technician. Even her obstacles are fairy-tale–like: “A man rose up in Lotte’s land. / With twisted words, he clenched his hand / And made demands / That he command / All magic.” That “man” is Hitler—someone wanting to command more than, um, magic?—but he, the Nazis, and World War II aren’t identified until the backmatter.
Too much fairy tale and too little biography. (author’s note, artist’s note, timeline of films, bibliography) (Picture book/biography. 5-8)Pub Date: Oct. 20, 2020
ISBN: 978-1-62414-941-2
Page Count: 40
Publisher: Page Street
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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by Malala Yousafzai ; illustrated by Kerascoët ‧ RELEASE DATE: Oct. 17, 2017
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.
The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.
Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.
An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)Pub Date: Oct. 17, 2017
ISBN: 978-0-316-31957-7
Page Count: 48
Publisher: Little, Brown
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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