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THEY ALL LOVE JACK

BUSTING THE RIPPER

A ripping good read, strange, suggestive, and memorable.

A wild ride down the back alleys of London in the service of "Ripperology.”

His title dripping with irony, British director/screenwriter/actor Robinson (The Peculiar Memories of Thomas Penman, 1999, etc.) takes aim at the pieties of Victorian Britain, a time when sex, drugs, and the moral equivalent of rock ’n’ roll were readily available to anyone who could afford them. Against a setting of streetwalkers and junkies, the author opposes the old boys of the empire (“Kitchener was an imperious bully even when he didn’t need to be”), stout fellows who exchanged secret handshakes and kept one another’s secrets—good reason, one might think, to suspect that the penny-dreadful serial killer nicknamed Jack the Ripper might have been a card-carrying member. He was no Rotarian or Elk, Robinson continues, but a full-fledged Freemason, and his secret was protected through a web of accident and design, doubtless with the assistance of the cops—for the commissioner of Metropolitan Police, “a lousy cop and a worse soldier” whose “God inclined to the hard right—probably something like Kitchener in freshly laundered clouds,” made sure that the Ripper was untroubled by justice, whether by ineptitude or design. Robinson names names, eventually settling on a fellow close to another fellow on whom suspicion has fallen and lifted and fallen again for a dozen decades now: “the conspiracy to airbrush [him] out of his own history was cooked up a very long time ago.” The book takes a whirlwind tour of a lost world, with its Dickensian “street Arabs” and cockney rhymes. Whether Robinson has hit on the solution to the Ripper’s identity, finally, will be a matter for Ripperologists and criminologists alike to debate. What he has done is to produce a lively, oddball work of literature that blends true crime, social history, and the occasional whiff of psychedelia into an utterly original whole—good reason for the book to have been longlisted for the Samuel Johnson Prize.

A ripping good read, strange, suggestive, and memorable.

Pub Date: Oct. 13, 2015

ISBN: 978-0-06-229637-5

Page Count: 864

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 13, 2015

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
  • 52


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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


  • IndieBound Bestseller


  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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