Blending the passion of an enraptured fan with the measured eye of a seasoned journalist, free-lance sportswriter Schoenfeld (The New York Times, Sport, etc.) delivers a lyrical, unapologetic paean to bullfighting and its devoted followers. Set primarily in toreo-mad Sevilla, a contemporary city with its heart firmly in the past, the narrative, while impressive in sketching the history and current status of the sport, is overwhelmingly (and delightfully) a tribute to the unique relationship between fans and this oddly ``metaphysical'' sport. Unlike Hemingway's The Dangerous Summer (mentioned frequently, along with his Death in the Afternoon and James Michener's Iberia), Schoenfeld's study lacks a specific focus in terms of the bullfighting world, with the author meandering from bullfight to bullfight as he attempts to invoke the essence of that contest as experienced by those in its spell. Foremost are the dedicated fans, Schoenfeld included, enduring the tedium of uninspiring matches (``in contemporary bullfighting...quality is scarce'') in pursuit of one transcendent performance (``something unavailable within the bounds of daily life...the glimpse of immortality''). Among them is a strange coterie of Hemingwayesque foreign aficionados, deftly depicted, who follow the bulls throughout Spain each season. Center stage, of course, belongs to the matadors—skillful figuras, uneven young aspirants, and stubborn old-timers—alternately adored and reviled by the masses of ``taurine junkies.'' Rounding out the text is a skillful explanation of the distinct rituals and intricate maneuvers of the sport, pictured here as the ultimate high-stakes performance art. Although Schoenfeld will not convert any bullfight detractors- -true, crowds applaud particularly noble bulls, but even the best get no reprieve—he succeeds admirably on his own terms in offering an entrancing portrait of an unusual, ``passionately illogical'' world.
Pub Date: March 1, 1992
ISBN: 0-671-72748-6
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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