by Bruno Schulz ; translated by Madeline G. Levine ‧ RELEASE DATE: March 18, 2018
Few storytellers are as at home in the fabulous, mysterious world of childhood. A major author who deserves a broad...
Omnibus edition of the beguiling, sometimes-unsettling fiction of the great Polish-Jewish writer Schulz, an early victim of the Holocaust.
Schulz has been translated into English since the early 1960s, with his book Sanitarium Under the Sign of the Hourglass included in Philip Roth’s series of Eastern European writers for Penguin. That book is translated afresh and included here along with the collection of short fiction previously issued in the U.S. as Street of Crocodiles, here presented under its original title as Cinnamon Shops. The latter title is emblematic; says the narrator, “I call them cinnamon shops because they are paneled with dark, cinnamon-colored wainscoting,” but one has the sense that the shops are so-called because cinnamon would have been an exotic import from some distant outside that magically appeared in a city center made up of strange houses with endless interiors to explore, even if the exterior might be a “market square…swept clean of dust by hot winds, like a biblical desert.” In one such house, a young man wanders the halls, visiting faraway corners and mapping a territory with “no fixed number of rooms,” where a wrong turn could lead one into “a veritable labyrinth of unfamiliar apartments and passageways” that were the domain of gigantic cockroaches and a father absorbed by books, mathematical equations, and failing health. In both collections, as well as some hitherto unpublished stories, it is clear that the father in question is often a stand-in for a remote divinity who doesn’t always do well by his charges. In obvious homage to Kafka, the father is also sometimes a victim of strange events, as when a householder turns into a crab: “Boiled, losing legs along the way, he had dragged himself onward with his remaining strength, onto his homeless journey, and we never laid eyes on him again.”
Few storytellers are as at home in the fabulous, mysterious world of childhood. A major author who deserves a broad readership, now well-served by this rich collection.Pub Date: March 18, 2018
ISBN: 978-0-8101-3660-1
Page Count: 280
Publisher: Northwestern Univ.
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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