illustrated by Bryan Collier ‧ RELEASE DATE: Dec. 28, 2021
This thoughtful work of art comes together with beauty and meaning.
Award-winning illustrator Collier sets images of the present and the past against the text of a beloved song.
Lyrics of “We Shall Overcome,” a song associated with the 1960s-era civil rights movement, are printed in orange capital letters against a strip of brown background along the bottom of each spread. The pictures tell stories, juxtaposing present-day scenes and children in full color against significant events and sites of past struggle in black and white. Endmatter explains the significance of said sites and scenes for those who may not know: the Sixteenth Street Baptist Church, Rosa Parks sitting down on a bus, children integrating schools. The opening spreads feature a school-age Black child rising and getting ready for the day with a smile; the middle spreads show the child arriving at school and learning with a multiracial group of peers, a Black teacher at the head of the class. Final spreads show the child walking by a street being painted with Black Lives Matter in yellow, then small crowds standing together and painting a mural together. Collier uses collage with a multitude of faces and layers to place the times and movements in relationship, creating a powerful opportunity for comparison, reflection, and discussion about the past and present. The opening and closing spreads with the smiling child offer the hopeful message Collier reinforces in his note.
This thoughtful work of art comes together with beauty and meaning. (historical note, illustrator's note) (Picture book. 3-10)Pub Date: Dec. 28, 2021
ISBN: 978-1-338-54037-6
Page Count: 40
Publisher: Orchard/Scholastic
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Aug. 15, 2021
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PERSPECTIVES
PERSPECTIVES
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Erin Guendelsberger ; illustrated by Elizaveta Tretyakova ‧ RELEASE DATE: Oct. 1, 2020
Sadly, the storytelling runs aground.
A little red sleigh has big Christmas dreams.
Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)
Sadly, the storytelling runs aground. (Picture book. 3-6)Pub Date: Oct. 1, 2020
ISBN: 978-1-72822-355-1
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
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